Name: Nabucco
Start: 2024-10-19T00:00:00.000Z
End: 2024-11-22T00:00:00.000Z
Location: Latvian National Opera

Admin

Latvian National Opera

Conductor

Mārtiņš Ozoliņš

Alvise Casellati

Stage director

Guntis Gailitis

Set designer

Andris Freibergs

Costume designer

Kristīne Pasternaka

Lighting designer

Ēriks Otto

Revival Lighting Designer

Ainārs Kabucis

Kaspars Ādamsons

Baritone

Jānis Apeinis

Nabucco

Soprano

Yulia Vasilieva

Abigail

Tenor

Raimonds Bramanis

Ishmael

Andris Ludvigs

Guntars Ruņģis

Magdalēna Urbanoviča

Fenena

Laura Grecka

Bass

Krišjānis Norvelis

Zachary

Edgars Ošleja

Evija Martinsone

Anna

Abdallo

Oļegs Orlovs

The High Priest of Ba'al

Rihards Mačanovskis

Orchestra

Latvian National Opera Orchestra

Others

Choeur Latvian National Opera Choir, Riga Dome Boys' Choir

ítalska

Riga

Latvia

LNO Main stage

Public

Samabedona Majumder

enska

lettneska

Approved

Džuzepes Verdi opera četros cēlienosDiriģents Mārtiņš OzoliņšRežisors Guntis GailītisScenogrāfs Andris FreibergsKostīmu māksliniece Kristīne PasternakaGaismu...

Nabucco: Nabucco Verdi

"I can safely say that my career as a composer began with this opera," said Giuseppe Verdi. In 1840, after the death of his two children and his wife, Verdi fell into a severe depression. Only two years later, in 1842, having overcome the internal crisis, the composer turned to work again and wrote Nabucco . The resounding triumph after the performance of Nabucco opened an era of fame for Verdi's operas.
The idea-philosophical basis of Nabucco's LNO stage version is time. The theme of time can also be felt in the visual solution of the production - it is the course of the sun, the course of life's circles, the course of the sides of the sky... But over everything spreads the Supreme judgment and assessment of our actions, thoughts and deeds.

English

"Varu droši teikt, ka ar šo operu sākās mana komponista karjera", tā Džuzepe Verdi. 1840.gadā pēc abu bērnu un sievas nāves Verdi nonāca smagā depresijā. Tikai pēc diviem gadiem, 1842.gadā, pārvarējis iekšējo krīzi, komponists atkal pievērsās darbam un uzrakstīja Nabuko. Skaļais triumfs pēc Nabuko izrādes atklāja Verdi operu slavas ēru.
Nabuko LNO skatuves varianta idejiski filosofiskais pamats ir laiks. Laika tēma jūtama arī iestudējuma vizuālajā risinājumā - tas ir saules ritums, dzīves loku ritums, debess pušu ritums... Bet pāri visam plešas Augstākā spriedums un vērtējums mūsu rīcībai, domām un darbiem.

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