Name: Radioübertragung: Paradisi gloria (Ohne Publikum)
Start: 2021-07-18T00:00:00.000Z
End: 2021-07-18T00:00:00.000Z
Location: Funkhaus Berlin

Organization

Conductor

Henry Raudales

Singer

Tenor

Dean Power

Baritone

Sean Michael Plumb

Orchestra

Münchner Rundfunkorchester

Radioübertragung: Paradisi gloria (Ohne Publikum)

Berlin

Germany

Funkhaus Berlin

Radioübertragung: Paradisi gloria (Ohne Publikum): Concert Various

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Bass-baritone

Bass

Soprano

Countertenor

Mezzo-soprano

Contralto

Alto

Child vocalist

Continuo

Silent

Spoken

Aldo Clementi (1925–2011) war Schüler von Petrassi und Stockhausen. In seinem „Halleluja“ von 1982 leuchtet altehrwürdiger Choral durch ein dichtes, avantgardistisches Klanggeflecht. Verse der Hoffnung aus dem Alten Testament vertonte Alfredo Casella (1883–1947) in den „Tre canti sacri“ von 1942, als er sich von Krankheit gezeichnet hin zu Religion und geistlicher Musik wandte. In „Requies“ von 1984, so Luciano Berio (1925–2003), läuft eine Melodie „unaufhörlich ab, wird aber durch Rückblenden und Abschweifungen rund um einen mobilen und fernen Mittelpunkt unterbrochen“, der freilich für den Zuhörer nicht unbedingt erkennbar ist. Die „Quattro inni sacri“ von 1942 gehören zu den Hauptwerken von Goffredo Petrassi (1904–2003).

Deutsch

Aldo Clementi (1925-2011) was a student of Petrassi and Stockhausen. In his "Halleluja" from 1982, a venerable chorale shines through a dense, avant-garde network of sounds. Alfredo Casella (1883–1947) set verses of hope from the Old Testament to music in his 1942 “Tre canti sacri” when, marked by illness, he turned to religion and sacred music. In “Requies” from 1984, according to Luciano Berio (1925–2003), a melody “runs on incessantly, but is interrupted by flashbacks and digressions around a mobile and distant center”, admittedly not necessarily recognizable to the listener. The "Quattro inni sacri" from 1942 are among the main works of Goffredo Petrassi (1904-2003).

English

Radioübertragung: Paradisi gloria (Ohne Publikum) by Various, Noiztik (2021/2021), Zuzendaria Henry Raudales, Funkhaus Berlin, Berlin, Germany

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