Name: Requiem, K. 626
Start: 2023-01-15T00:00:00.000Z
End: 2023-01-15T00:00:00.000Z
Location: Théâtre des Champs-Elysées

Organization

Singer

Soprano

Hermione Bernard

Contralto

Marion Harache

Alto

Tenor

Jordan Mouaissia

Bass

Kevin Arboleda Oquendo

Conductor

Henri Chalet

Pianist

Manuel Vieillard

David Salmon

Théâtre des Champs-Elysées

Others

Chœur et solistes de la Maîtrise de Notre-Dame de Paris

Requiem, K. 626 -  (Requiem)

Paris

France

Requiem, K.626 Mozart

Public

Requiem

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Theorbist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Bass-baritone

Mezzo-soprano

Countertenor

Child vocalist

Continuo

Silent

Spoken

Oubliez l’Amadeus signé Miloš Forman, donc l’image de Salieri recueillant les notes du Requiem de la bouche d’un Mozart guetté par la Faucheuse. La majeure partie de l’achèvement de cette ultime partition revint en réalité à Franz Xaver Süssmayer (1766-1803). Lequel avait déjà permis à l’auteur surmené de La Flûte enchantée, qui le tenait pourtant pour une moitié d’incapable, de boucler les récitatifs de La Clémence de Titus dans les délais. Vers 1827, l’abbé Maximilian Stadler (1748-1833), qui avait lui-même aidé à orchestrer quelques mesures de l’œuvre, en commande une transcription pour piano à quatre mains au virtuose Czerny, né l’année de la mort du divin Wolfgang. Une messe des morts que le Duo Geister ressuscitera en compagnie de la Maîtrise Notre-Dame de Paris.

français

Forget the Amadeus signed Miloš Forman, therefore the image of Salieri collecting the notes of the Requiem from the mouth of a Mozart watched by the Grim Reaper. Most of the completion of this final score actually fell to Franz Xaver Süssmayer (1766-1803). Which had already allowed the overworked author of The Magic Flute , who nevertheless considered him half incapable, to complete the recitatives of The Clemency of Tituson time. Around 1827, Father Maximilian Stadler (1748-1833), who had himself helped to orchestrate a few bars of the work, commissioned a transcription for piano four hands from the virtuoso Czerny, born the year of the death of divine Wolfgang. A mass for the dead that the Duo Geister will resurrect in the company of the Maîtrise Notre-Dame de Paris.

English

Requiem by Mozart, Noiztik (2023/2023), Zuzendaria Henri Chalet, Théâtre des Champs-Elysées, Paris, France

Emanaldia kredituak (Antzezleku eta Ekipa )

Aktoreak

Tripulazioa

Taldea

Programa, buruz eta sinopsia

Argazkiak

Irakurketa gehiago

Emanaldiaren datak eta lekuak

Lekuak