Organization

Mostly Mozart

Diretor de Palco

Bartlett Sher

Cantor

Mezzo-soprano

Sylvia D'Eramo

A Condessa de Ceprano

Soprano

Erin Morley

Gilda

Edyta Kulczak

Giovanna

Chanáe Curtis

Barítono

Michael Chioldi

Rigoletto

Baixo

Christopher Job

O Conde de Ceprano

Jeongcheol Cha

Marullo

Craig Colclough

O Conde de Monterone

Tenor

Scott Scully

Matteo Borsa

Eve Gigliotti

Catherine Choi

Um pajem

Yohan Yi

Um assistente da corte

Mestre de Coro

Donald Palumbo

Piotr Beczała

O Duque de Mântua

Stephen Costello

Quinn Kelsey

Rosa Feola

Kristina Mkhitaryan

Andrea Mastroni

Sparafucile

Ante Jerkunica

Contralto

Varduhi Abrahamyan

Maddalena

Yulia Matochkina

Maestro

Daniele Rustioni

Karel Mark Chichon

Designer de Iluminação

Donald Holder

Estilista

Catherine Zuber

Cenógrafo

Michael Yeargan

Jonathan Scott

Adriana Chuchman

Karen Kamensek

The Metropolitan Opera

Others

Metropolitan Opera Choir

Orchestra

Metropolitan Opera Orchestra

Lincoln Center

italiano

Nova Iorque

Estados Unidos

Metropolitan Opera House

One of opera’s grimmest tragedies received a powerful new production during the 2021–22 season when director Bartlett Sher unveiled his Weimar-era staging of Verdi’s Rigoletto. In this performance, recorded as part of the company’s Live in HD series of cinema transmissions, commanding American baritone Quinn Kelsey gives a searing portrayal of the title character, a deformed court jester determined to protect the virtue of his daughter, Gilda, sung by radiant soprano Rosa Feola. His debauched employer, the Duke of Mantua, is tenor Piotr Beczała, with dynamic young maestro Daniele Rustioni on the podium to lead a cast that also features bass Andrea Mastroni as the assassin Sparafucile and mezzo-soprano Varduhi Abrahamyan as Maddalena.

Vídeos