Admin

Staatsoper Hannover

Баритон (+2)

Daniel Luis de Vicente

Риголетто

Сопрано (+1)

Francesca Pia Vitale

Джильда

Бас (+3)

Markus Suihkonen

Спарафучилле

Меццо-сопрано (+3)

Ruzana Grigorian

Маддалена

Orchestra

Niedersächsisches Staatsorchester Hannover

Режиссер-постановщик

Режиссер-постановщик (+3)

Karsten Wiegand

Художник-постановщик

Художник-постановщик (+1)

Bärbl Hohmann

Художник по костюмам

Moritz Junge

Художник по свету

Claus Ackenhausen

Хормейстер

Хормейстер (+1)

Lorenzo Da Rio

Драматург

Драматург (+3)

Albrecht Puhlmann

Тенор

Mario Rojas

Герцог Мантуанский

Бас-баритон (+4)

Frank Schneiders

Монтероне

Баритон (+3)

Eduardo Martinez

Марулло

Меццо-сопрано (+4)

Freya Müller

Графиня Чепрано

Паж

Opernhaus

Chorus

Chor der Staatsoper Hannover

Дирижер

Mario Hartmuth

Frank Domnick

Чепрано

Баритон (+1)

Henri Tikkanen

Офицер

Тенор (+1)

Patrick Jones

Борса

Бас (+2)

Marek Durka

Тенор (+3)

Mohsen Rashidkhan

Masaru Kumakura

Jae Wook Yoo

A disfigured, cynical entertainer at the mercy of the benevolence of the powerful, a father who frantically keeps his adolescent daughter hidden, a humiliated outsider who, in his craving for revenge, triggers the very tragedy that will cost his daughter’s life – the tale of Rigoletto, who tries in vain to hide his daughter Gilda from the world and from an aristocratic seducer, is one of the great stories of musical theatre.

Gilda has already fallen for the enticing Duke. When his henchmen kidnap the girl, her father Rigoletto sees red. He pays professional hitman Sparafucile to kill the Duke and plans to flee the city with Gilda in secret. But Gilda defies her father’s wishes and goes to the location where the Duke is to be killed on this stormy night of thunder and lightning.

Ever since its triumphant world premiere at Venice’s Teatro La Fenice in 1851, Rigoletto has quite rightly enjoyed an unbroken history of performances at opera houses across the world. Verdi’s breath-taking composition outlines the characters in enchanting vocal lines and subtle configurations of the orchestra: a profound musical drama with psychologically sophisticated characters and situations. Director Karsten Wiegand places the title character’s inner drama at the centre of his staging. Rigoletto has been degraded, a clown to be sneered at by a pleasure-seeking class with no empathy, dancing at the edge of the abyss, a farce, a caricature of themselves.

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