Name: Rigoletto
Start: 2016-10-01T00:00:00.000Z
End: 2017-06-23T00:00:00.000Z
Location: Slovak National Theatre New Building

Admin

Organization

Tenor

Tomáš Juhás

The Duke of Mantua

Baritone

Alexander Krasnov

Rigoletto

Soprano

Andrea Vizvári

Gilda

Simona Šaturová

Bass

Peter Mikuláš

Sparafucile

Ján Galla

Contralto

Denisa Hamarová

Maddalena

Mezzo-soprano

Jitka Sapara-Fischerová

Giovanna

Denisa Šlepkovská

Sergej Tolstov

The Count of Monterone

Daniel Čapkovič

Ján Ďurčo

Marullo

František Ďuriač

Ján Babjak

Matteo Borsa

Ivan Ožvát

Juraj Peter

The Count of Ceprano

Eva Šeniglová

The Countess of Ceprano

Miriam Maťašová

Conductor

Martin Leginus

Stage director

Martin Schüler

Set designer

Hans Dieter Schaal

Costume designer

Susanne Thomasberger

Chorus master

Pavel Procházka

Dramaturge

Martin Bendik

Jozef Benci

Terézia Kružliaková

Monika Fabianová

Martin Mikuš

Singer

Martin Smolnický

Hearing

Ján Keder

Katarína Polakovičová

A page

Katarína Flórová

Friedrich Haider

Kyungho Kim

Eric Fennell

Ludovit Ludha

Ivan Magrì

Sebastian Catana

Mikołaj Zalasiński

Leo An

Constantinos Yiannoudes

Nikoloz Lagvilava

Petra Perla-Nôtová

Ľubica Vargicová

Kateřina Kněžíková

Julia Novikova

Hila Fahima Ruschin

Slovak National Theatre

이탈리아어

Bratislava

Slovakia

Slovak National Theatre New Building

Rigoletto Verdi

Public

Private

Approved

One of the most famous works of the great Italian master does not need to be introduced to the opera audience. For Verdi, Rigoletto 's work , Hugo's drama The King is Entertained , is a source of great passion, a source of inspiration for a socially critical view, but also an incentive to create a moving intimate story. The protagonist, court jester and gentleman Rigoletto, faces a dilemma: to survive in an awkward environment at all costs, not to look at the consequences of his behavior - or to resist, as another of the characters in this story, Count Monterone? Because in life, every act is paid for, sometimes very bitterly, by the loss of the most precious - in Rigoletto's story, the beloved daughter of the Guild.

At the time of its creation, some opponents blamed Verdi's work for being too "Germanic" to be too close in nature to Richard Wagner's work. If it was because Verdi had achieved an extraordinary expressiveness of musical-dramatic expression that, in a sense, exceeded the limits of Belcant's tradition, then they were right. In any case, this work represents an authentic Verdi's opus, which integrates quite organically into the context of its compositional development.

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