Name: Roberto Abbado Violeta Urmana
Start: 2014-09-27T00:00:00.000Z
End: 2014-09-27T00:00:00.000Z
Location: Teatro del Maggio Musicale Fiorentino

Admin

Organization

Fondazione del Teatro del Maggio Musicale Fiorentino

Conductor

Roberto Abbado

Orchestra

Orchestra del Maggio Musicale Fiorentino

Others

Coro del Maggio Musicale Fiorentino

Singer

Soprano

Violeta Urmana

Roberto Abbado / Violeta Urmana

Florence

Italy

Teatro del Maggio Musicale Fiorentino

Public

Concert

Tristia, H 119

The Death of Cleopatra

Pictures at an Exhibition

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Contralto

Bass-baritone

Tenor

Baritone

Bass

Countertenor

Alto

Child vocalist

Continuo

Silent

Spoken

The two compositions by Hector Berlioz that open the evening, Tristia and La Mort de Cléopâtre, are two early works in which are clearly outlined the funeral themes dear to the author: from Ophelia's Death and Funeral March for the last scene of Hamlet in Tristia, to La Mort de Cléopâtre, where the Egyptian queen invokes the shadows of the great pharaohs to give her the strength to commit suicide. Pictures at an Exhibition, by Modest Mussorgsky, is the most famous work by the Russian composer: originally composed for piano, and later orchestrated by Maurice Ravel, it is a series of ten suites inspired by ten paintings of an exhibition at the Russian Academy of Fine Arts, interspersed by five promenades, the walk from one painting to the next which creates the thematic link.

English

Le due composizioni di Hector Berlioz che aprono la serata, Tristia e La Mort de Cléopâtre, sono due lavori giovanili in cui si delineano i temi funebri cari all'autore: si passa dalla Morte di Ofelia e dalla Marcia funebre per l'ultima scena dell'Amleto, che compongono il Tristia, a La Mort de Cléopâtre, in cui la regina egizia invoca le ombre dei grandi faraoni per darle la forza di suicidarsi. 
Quadri di un'esposizione, di Modest Musorgskij, è l'opera più famosa del compositore russo: nata per pianoforte, poi orchestrata da Maurice Ravel, è una serie di dieci suite ispirate ad altrettanti dipinti di un'esposizione all'Accademia Russa di Belle Arti, inframmezzati da cinque promenade, le passeggiate di Musorgskij da un quadro all'altro, che costituiscono il tema musicale portante.

italiano

Roberto Abbado / Violeta Urmana by Berlioz, Mussorgsky, Alates (2014/2014), Dirigent Roberto Abbado, Teatro del Maggio Musicale Fiorentino, Florence, Italy

Etenduse krediiti (Näitlejad ja meeskond )

Ansambel

Programm, teave ja kokkuvõte

Lisalugemist

Esinemiskuupäevad ja -kohad

Etenduspaigad