Name: Roberto Abbado Violeta Urmana
Start: 2014-09-27T00:00:00.000Z
End: 2014-09-27T00:00:00.000Z
Location: Teatro del Maggio Musicale Fiorentino

Admin

Organization

Fondazione del Teatro del Maggio Musicale Fiorentino

Conductor

Roberto Abbado

Orchestra

Orchestra del Maggio Musicale Fiorentino

Others

Coro del Maggio Musicale Fiorentino

Soprano

Violeta Urmana

Roberto Abbado / Violeta Urmana

Florence

Italy

Teatro del Maggio Musicale Fiorentino

Public

Concert

Tristia, H 119

The Death of Cleopatra

Pictures at an Exhibition

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Tenor

Singer

Bass-baritone

Countertenor

Baritone

Contralto

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

The two compositions by Hector Berlioz that open the evening, Tristia and La Mort de Cléopâtre, are two early works in which are clearly outlined the funeral themes dear to the author: from Ophelia's Death and Funeral March for the last scene of Hamlet in Tristia, to La Mort de Cléopâtre, where the Egyptian queen invokes the shadows of the great pharaohs to give her the strength to commit suicide. Pictures at an Exhibition, by Modest Mussorgsky, is the most famous work by the Russian composer: originally composed for piano, and later orchestrated by Maurice Ravel, it is a series of ten suites inspired by ten paintings of an exhibition at the Russian Academy of Fine Arts, interspersed by five promenades, the walk from one painting to the next which creates the thematic link.

English

Le due composizioni di Hector Berlioz che aprono la serata, Tristia e La Mort de Cléopâtre, sono due lavori giovanili in cui si delineano i temi funebri cari all'autore: si passa dalla Morte di Ofelia e dalla Marcia funebre per l'ultima scena dell'Amleto, che compongono il Tristia, a La Mort de Cléopâtre, in cui la regina egizia invoca le ombre dei grandi faraoni per darle la forza di suicidarsi. 
Quadri di un'esposizione, di Modest Musorgskij, è l'opera più famosa del compositore russo: nata per pianoforte, poi orchestrata da Maurice Ravel, è una serie di dieci suite ispirate ad altrettanti dipinti di un'esposizione all'Accademia Russa di Belle Arti, inframmezzati da cinque promenade, le passeggiate di Musorgskij da un quadro all'altro, che costituiscono il tema musicale portante.

italiano

Roberto Abbado / Violeta Urmana by Berlioz, Mussorgsky, Noiztik (2014/2014), Zuzendaria Roberto Abbado, Teatro del Maggio Musicale Fiorentino, Florence, Italy

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