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Štátne divadlo Košice

Maestro

Peter Valentovic

Diretor de Palco

Anton Korenči

Estilista

Mitzy Von Hoffmann

Designer de Iluminação

Róbert Farkaš

Designer de Vídeo

Jakub Pišek

Bea Kolbašovská

Vinicius Kattah

Mestre de Coro

Lukáš Kozubík

Cantor

Soprano

Eva Bodorová

Elisabetta

Michaela Várady

Barítono

Marián Lukáč

Il duca di Nottingham

Marek Gurbal

Mezzo-soprano

Elena Maximova

Sara

Myroslava Havryliuk

Tenor

Juraj Hollý

Roberto Devereux

David Astorga

Anton Baculík

Lord Cecil

Maksym Kutsenko

Baixo

Michal Onufer

Sir Gualtiero Raleigh

Martin Kovács

Contralto

László Havasi

Un paggio

Krisztián Kokolusz

Un familiare di Nottingham

Košice

Eslováquia

Národné Divadlo Košice (ex Štátne divadlo)

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Public

Akshay C K

Approved

Roberto Devereux Donizetti

Príbeh lásky, zrady a moci. Nádherná hudba Gaetana Donizettiho v jeho majstrovskej opere ROBERTO DEVEREUX vás spolu so skvelými sólistami, zborom a orchestro...

Opera Roberto Devereux draws the theme from English history and it is the third portrayal of the Queen Elizabeth I. As the last living daughter of Henry VIII. and Anna Boleyn she took the throne of England in 1558. This strong character inspired Gaetano Donizetti the first time in opera Elisabetta all Castello di Kenilworth, that was written by Walter Scott. The second time, he confronts Queen Elizabeth with Scotch Queen Maria Stuart, following Schiller’s drama. And thirdly, in Roberto Devereux, he deals with her dramatic relationship to the Count of Essex. The score was written in the time of the composer’s deep life crisis. In a close succession he lost his parents, experienced a dead baby childbirth and another child short-lived, and eventually he lost his wife. The opera was premiered with great success on 29 October 1837 in Neapolitan Teatro San Carlo. One year later Parisian 'Théâtre Italien' presented a modified version. Its overture contains motive of English anthem God Save the Queen. Roberto Devereux, like most bel canto classic operas, disappeared from world stages for quite some time but returned back during the renaissance of classic opera in the middle of the last century.

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