Organization

Cantor

Tenor

Pavlo Tolstoy

Roméo

Soprano

Victoria Vatutina

Juliette

Barítono

Tomasz Łuczak

Mercutio

Maciej Komandera

Tybalt

Mezzo-soprano

Lucyna Boguszewska

Stéphano

Michał Sobiech

Pâris

Renata Dobosz

Gertrude

Piotr Zgorzelski

Benvolio

Dawid Dubec

Grégorio

Baixo-barítono

Janusz Lewandowski

Comte Capulet

Zbigniew Wunsch

Laurent's father

Jadwiga Krowiak

Queen Mab

Maria Malinowska

Inspector

Diretor de Palco

Michal Znaniecki

Maestro

Franck Chastrusse Colombier

Designer de Iluminação

Bogumił Palewicz

Estilista

Cenógrafo

Luigi Scoglio

Coreógrafo

Elżbieta Szlufik-Pańtak

Grzegorz Pańtak

Mestre de Coro

Małgorzata Bornowska

Opera na Zamku

Others

Chór Opery na Zamku

Orchestra

Orkiestra Opery na Zamku

Ballet

Balet Opery na Zamku

francês

Roméo et Juliette -  (Romeu e Julieta)

Estetino

Polônia

Roméo et Juliette Gounod

Public

Romeu e Julieta

polonês

Approved

I did not want to update this tragedy. I thought that it would not be the most important thing for me, but rather Shakespeare himself, that is, theatricality and theater in theater (...)

Gounod's adaptation is ironically said to be "four love duets with additions." The duets are very well written, so I decided to focus on what was going on between them. constant deaths, fights against each other and daily feuds (...).

The divisions can be seen in the costumes of the feuding families: the Capers are a group that has money and power, which makes it look more neat, drawn with one line when it comes to costumes, also in color. The Montekich group is a more run-down family whose glory is now past and it shows too. Capillaries wear beautiful Elizabethan ruffles, they are dressed in white, while Romeo's group is rude, has moldy collars, lost ruffles symbolizing its fall (...).

The balcony, garden and chapel are iconographic places closely related to the whole history (...). In our wooden theater interior, stylized as "The Globe" with galleries and windows, the element pointing to the garden will be a wooden tree. It must be remembered that neither Shakespeare nor Gounod tried to tell a documentary story, hence the emphasis on symbols (...).

At the end of the opera, however, the heroes ask God for forgiveness. It is only an underlining of the purity of their intentions, but of a childish innocence that cannot win against the cruel world around us of these great and everyday wars.
Michał Znaniecki, director

English

Drodzy Widzowie,
informujemy, że ze względu na obowiązujące od 15 grudnia 2021 r. obostrzenia i limity miejsc, możemy prowadzić sprzedaż biletów online wyłącznie dla osób z certyfikatami COVID-19 (certyfikaty dot. szczepień lub przebytej infekcji COVID-19 lub wykonania testu na obecność SARS-CoV-2). Osoba, która zajmie wskazane na bilecie miejsce, zobowiązuje się posiadać jeden z ww. certyfikatów podczas wydarzenia w postaci możliwej do weryfikacji za pomocą aplikacji Skaner Certyfikatów COVID, by przedstawić go do ewentualnej kontroli stosownym służbom. Prosimy pamiętać o obowiązku zachowania dystansu społecznego oraz zakrywania ust i nosa podczas pobytu w operze.

polski

Romeu e Julieta by Gounod, De (2022/2022), Dirigido por Michal Znaniecki,, Regente Franck Chastrusse Colombier, Opera na Zamku, Estetino, Polônia

Créditos do espetáculo (Elenco & Equipe )

Elenco

Equipe

Conjunto

Programa, Sobre & Sinopse

Fotos

Leitura adicional

Datas e locais de apresentação

Locais de Eventos