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Organization

Singer

Soprano

Lada Kyssy

Rusalka

Tenor

Jason Kim

Prince

Zoltán Nyári

Bass

Ill-Hoon Choung

Vodnik

Ann-Beth Solvang

Princess

Mezzo-soprano

Melanie Lang

Jezibaba

Martha Eason

First Nymph

Martyna Cymerman

Second Nymph

Erica Back

Third Nymph

Nian Wang

The Turnspit

Baritone

Paul Brady

The Hunter

Conductor

Vito Cristofaro

Stage director

Hinrich Horstkotte

Set designer

Lighting designer

Regina Kirsch

Chorus master

Thomas Bönisch

Dramaturge

Annabelle Köhler

Oldenburgisches Staatstheater

Oldenburg

Germany

Staatstheater

Rusalka Dvořák,A

Public

Approved

Rusalka - Oldenburgisches Staatstheater

“The Oldenburg State Orchestra performs a small miracle under Vito Cristofaro. You don't experience it every day as colorful, as expressive and as beautifully sounding as music is made here. "  (Weser Kurier)

To take on human form is Rusalka's dearest wish, because the mermaid has fallen in love with a prince who hunted near her lake. In order to be able to follow him, no sacrifice is too great for her: So she not only leaves her ancestral spirit realm, but also has to sell her voice to the witch Ježibaba in order to be able to take the step into the human world. However, she is out of luck there. If the prince was initially fascinated by the strange magic of the mermaid, he soon succumbed to the hot-blooded eroticism of a strange princess. Deeply desperate, Rusalka wants to return to the spirit realm, but has to realize that she has long been an outcast there too. The spirit and human world in Dvořák's 'Rusalka' are incompatible:

All the more eloquent, however, is Dvořák's music: in its passionate romanticism, it paints a lively image of the troubled psyche of the mermaid and thus, paradoxically, gives her the kind of humanity that she longs for so much. Hinrich Horstkotte is responsible for directing and setting the opera.

English

Rusalka by Dvořák, Fra (2020/2020), Instrueret af Hinrich Horstkotte,, Dirigent Vito Cristofaro, Staatstheater, Oldenburg, Germany

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