Admin

Opernhaus Zürich

Orchestra

The Orchester der Oper Zürich

Direction d'orchestre

Direction d'orchestre (+3)

Simone Young

Mise en scène

Mise en scène (+2)

Andreas Homoki

Décors

Décors (+1)

Hartmut Meyer

Costumes

Mechthild Seipel

Lumières

Lumières (+3)

Franck Evin

Assistante chorégraphe

Arturo Gama

Dramaturge

Dramaturge (+1)

Claus Spahn

Ténor (+1)

John Daszak

Hérode

Mezzo-soprano (+2)

Michaela Schuster

Hérodias

Soprano (+2)

Elena Stikhina

Salomé

Baryton-basse (+3)

Kostas Smoriginas

Jochanaan

Ténor (+3)

Omer Kobiljak

Narraboth

Siena Licht Miller

Le Page d'Hérodias

Nathan Haller

Le Premier Juif

Ténor (+2)

Raúl Gutiérrez

Christian Sturm

Ténor

Daniel Norman

Le Deuxième Juif

Christopher Willoughby

Xuenan Liu

Ténor (+5)

Martin Zysset

Le Troisième Juif

Tomislav Jukic

Andrejs Krutojs

Andrew Owens

Le Quatrième Juif

Álvaro Diana Sanchez

Maximilian Lawrie

Basse (+2)

Lobel Barun

Le Cinquième Juif

Basse (+4)

Stanislav Vorobyov

Le Premier Nazaréen

Baryton (+1)

Felix Gygli

Le Deuxième Nazaréen

Basse (+3)

Valeriy Murga

Le Premier Soldat

Basse

Maximilian Bell

Le Deuxième Soldat

Opernhaus

Mezzo-soprano (+3)

Ena Pongrac

Baryton (+4)

Cheyne Davidson

Un Cappadocien

Une Esclave

Richard Strauss composed his opera Salome in 1905, basing it on the scandalous fin-de-siècle drama of the same name by Oscar Wilde. The world premiere brought him his first international success: the one-act work remains one of the most frequently performed operas in the repertoire today. It combines grand orchestral frenzy and gripping vocal drama with the story of a desirous young woman whose story has fascinated humankind for two thousand years.
Salome’s first appearance was in the Bible: The myth of Herod’s daughter, who has the severed head of John the Baptist presented to her in return for an erotic dance, is constantly being reworked, layered with new interpretations and fantasies. In Andreas Homoki’s production, Salome is a young woman hungry for experience who can no longer bear the claustrophobic, prison-like family home to which the Herod clan has retreated in order to defy the gathering storms of a religious and political turning point. Salome’s is fascinated by the prophet Jochanaan, who makes hate speeches about her family's decadence. In Homoki's production, he is not an ascetic in a harsh robe but a radical fundamentalist to whose virile, seductive, erotic power Salome succumbs. But Jochanaan’s curses are likewise desperate attempts to fend off Salome’s feminine allure, which he is unable to resist. Our revival is sung by the same duo that delighted audiences and critics in the premiere series: Russian soprano Elena Stikhina credibly embodies the princess’s radical youthfulness and at the same time has the artistic maturity to master the enormous vocal challenges of Strauss's monstrous role. Lithuanian bass-baritone Kostas Smoriginas brings with him the expressive masculine energy that characterizes Jochanaan in this production.

allemand

Salome

Zurich

Suisse

Salome Strauss

Staged

Opéra

Sharan Allad

anglais

SALOMEOper von Richard StraussPremiere am 12 Sep 2021www.opernhaus.ch/salomeMusikalische Leitung: Simone YoungInszenierung: Andreas HomokiBühnenbild: Hartmut...

Valide

Salome (Salomé), Strauss

Distribution

Herodes

Herodias

Salome

Jochanaan

Narraboth

Ein Page der Herodias

1. Jude

2. Jude

3. Jude

4. Jude

5. Jude

1. Nazarener

2. Nazarener

1. Soldat

2. Soldat

Ein Kappadozier

Ein Sklave

Équipage

Mise en scène

Direction d'orchestre

Décors

Costumes

Lumières

Assistante chorégraphe

Dramaturge

Instrumentation

Producteur

Producteur

Ensemble

Orchestre

Coproducteur

Vidéos liées

Photos

À propos de

Compositeur

Livret

Description

Synopsis de la Production