Name: Schumannand Brahms
Start: 2022-11-16T00:00:00.000Z
End: 2022-11-17T00:00:00.000Z
Location: Grieghallen

Organization

Maestro

Maxim Emelyanychev

Instrumentista

Francesco Piemontesi

Piano

Orchestra

Bergen Philharmonic Orchestra

Grieghallen

Schumannand Brahms

Bergen

Noruega

Griegsalen

Schumannand Brahms: Piano Concerto No. 1 in D minor, Op. 15 Brahms (+1 More)

Public

Concerto para piano nº 1 em ré menor, Op. 15

Symphony No. 4 in D Minor, op. 120

Approved

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Musette de cour Player

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Ator

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Tenor

Soprano

Contralto

Mezzo-soprano

Baixo-barítono

Alto

Continuo

Silent

Spoken

Vocalista Infantil

Schumannand Brahms: Piano Concerto No. 1 in D minor, Op. 15 (+1 More)

Brahms’ første og monumentale pianokonsert er en av de meste populære og mest framførte pianokonsertene i dag. Slik var det ikke da den unge komponisten skrev konserten i 1858. Da var han mest komfortabel med å komponere for solo piano, som den briljante pianisten han var.

Det er uansett ikke det virtuose i seg selv som er målet. Pianostemmen vever seg ut og inn i hele den store symfoniske orkesterklangen, og den langsomme andresatsen er, ifølge Brahms, et ømt portrett av Clara Schumann.

«Et verk skapt ut fra sjelens dyp» sa den samme Clara om ektemannen Robert Schumanns fjerde symfoni, som egentlig var den andre han komponerte. Han begynte arbeidet med symfonien i 1841, men da mottakelsen på premieren var langt fra entusiastisk, trakk Schumann tilbake symfonien, bearbeidet den og publiserte den på nytt i 1853.

Det er første gang den unge russiske dirigenten Maxim Emelyanychev, sjefdirigent for det skotske kammerorkester, leder orkesteret.

Kveldens pianist, Francesco Piemontesi (foto: Marco Borggreve), var solist med orkesteret i Prokofievs 3. pianokonsert høsten 2021 og fikk strålende mottakelse både hos publikum og i pressen - «en pianistisk prestasjon helt utover det vanlige», skrev Bergens Tidendes anmelder Peter Larsen etter konserten.

norsk

Brahms' first and monumental piano concerto is one of the most popular and most performed piano concertos today. This was not the case when the young composer wrote the concerto in 1858. Then he was most comfortable composing for solo piano, like the brilliant pianist he was.

In any case, virtuosity in itself is not the goal. The piano part weaves out and in throughout the large symphonic orchestral sound, and the slow second movement is, according to Brahms, a tender portrait of Clara Schumann.

"A work created from the depths of the soul" said the same Clara about her husband Robert Schumann's fourth symphony, which was actually the second he composed. He began work on the symphony in 1841, but when the reception at the premiere was far from enthusiastic, Schumann withdrew the symphony, revised it, and republished it in 1853.

It is the first time that the young Russian conductor Maxim Emelyanychev (photo: Elena Belova), chief conductor of the Scottish Chamber Orchestra, leads the orchestra.

The evening's pianist, Francesco Piemontesi, was a soloist with the orchestra in Prokofiev's 3rd piano concerto in the autumn of 2021 and was brilliantly received by both the audience and the press - "a pianistic performance completely beyond the ordinary", wrote Bergens Tidende's reviewer Peter Larsen after the concert.

English

Schumannand Brahms by Brahms, Schumann, De (2022/2022), Regente Maxim Emelyanychev, Grieghallen, Bergen, Noruega

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