Name: Siroé
Start: 2015-04-21T00:00:00.000Z
End: 2015-04-21T00:00:00.000Z
Location: Theater an der Wien

Admin

Organization

Countertenor

Max Emanuel Cencic

Siroe

Franco Fagioli

Medarse

Soprano

Julia Lezhneva

Laodice

Tenor

Juan Sancho

Cosroe

Contralto

Mary-Ellen Nesi

Emira

Conductor

George Petrou

MusikTheater an der Wien

italiera

Siroé -  (Siroe)

Vienna

Austria

Theater an der Wien

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Orchestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Baritone

Singer

Bass-baritone

Mezzo-soprano

Spoken

Child vocalist

Silent

Alto

Continuo

Johann Adolf Hasse first made a career in Italy before he became Kapellmeister at the Saxon court in Dresden for 30 years from 1733. His opera SiroeHowever, he presented it on May 2, 1733 at the Teatro Malvezzi in Bologna. He had composed it for the most famous singers of his time: the castrati Farinelli and Caffarelli as well as the soprano Vittoria Tesi helped the opera to an immediate international success, the score reflects their brilliant singing skills. The libretto came from Hasse's friend Pietro Metastasio, Europe's leading opera poet. The text, written in 1726, was set to music by Georg Friedrich Händel in addition to von Hasse. Family confusions about lust for power, love, hate and revenge at the Persian royal court keep the audience in suspense and inspired Hasse to one of his most virtuoso compositions: King Cosroe of Persia would like to appoint his ambitious son Medarse instead of the firstborn Siroe as heir to the throne. Princess Emira, whose father was once murdered by Cosroe, lives at court disguised as a man, now she wants to kill Cosroe for her part. She is also the secret lover of Siroe, who does not want to help her with her revenge. Meanwhile the mistress tries to seduce Cosroes, Laodice, Siroe. He rejects her, the offended woman then blackens him to Cosroe - the situation seems hopeless for Siroe. Only the people finally rise in favor of the rightful Crown Prince and the confusions can be cleared up, general forgiveness leads to a new beginning with Siroe and Emira as the Persian royal couple. Meanwhile the mistress tries to seduce Cosroes, Laodice, Siroe. He rejects her, the offended woman then blackens him to Cosroe - the situation seems hopeless for Siroe. Only the people finally rise in favor of the rightful Crown Prince and the confusions can be cleared up, general forgiveness leads to a new beginning with Siroe and Emira as the Persian royal couple. Meanwhile the mistress tries to seduce Cosroes, Laodice, Siroe. He rejects her, the offended woman then blackens him to Cosroe - the situation seems hopeless for Siroe. Only the people finally rise in favor of the rightful Crown Prince and the confusions can be cleared up, general forgiveness leads to a new beginning with Siroe and Emira as the Persian royal couple.

English

Siroe by Hasse, Noiztik (2015/2015), Zuzendaria George Petrou, Theater an der Wien, Vienna, Austria

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Aktoreak

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