Name: Straszny dwór
Start: 2021-11-11T00:00:00.000Z
End: 2022-02-13T00:00:00.000Z
Location: Teatr Wielki Łódź

Organization

Singer

Tenor

Rafał Bartmiński

Stefan

Dominik Sutowicz

Bass-baritone

Tomasz Konieczny

Zbigniew

Eryk Rymanowski

Patryk Rymanowski

Mezzo-soprano

Elwira Janasik

Jadwiga

Elzbieta Wroblewska

Soprano

Agnieszka Adamczak

Hanna

Patrycja Krzeszowska

Agnieszka Sokolnicka

Bernadetta Grabias

Czesnikowa

Olga Maroszek

Malgorzata Walewska

Baritone

Andrzej Kostrzewski

Maciej

Zenon Kowalski

Bartłomiej Misiuda

Bass

Piotr Nowacki

Skołuba

Grzegorz Szostak

Robert Ulatowski

Krzysztof Dyttus

Grzes

Marcin Ciechowicz

Old woman

Ewelina Hrycak

Justyna Ozdowska

Marta

Dagny Konopacka-Maćkowiak

Katarzyna Pisarek

Monika Korybalska

Aleksandra Borkiewicz

Arkadiusz Anyszka

Katarzyna Nowosad

Karol Bochański

Damazy

Dawid Kwieciński

Krzysztof Marciniak

Łukasz Załęski

Arkadiusz Jakus

Miecznik

Stanisław Kuflyuk

Łukasz Motkowicz

Przemysław Rezner

Adam Szerszeń

Agnieszka Makówka

Paweł Skałuba

Rafał Pikała

Anna Kobylańska-Przybyła

Stage director

Krystyna Janda

Conductor

Piotr Wajrak

Lighting designer

Katarzyna Łuszczyk

Costume designer

Dorota Roqueplo

Set designer

Magdalena Maria Maciejewska

Choreographer

Emil Wesołowski

Chorus master

Dawid Jarząb

Teatr Wielki Łódź

Others

Choir of the Grand Theater in Łódź

Orchestra

Orchestra of the Grand Theater in Łódź

Ballet

Ballet of the Grand Theater in Łódź

ポーランド語

Straszny dwór -  (The Haunted Manor)

Łódź

Poland

Straszny dwór Moniuszko

Public

The Haunted Manor

Approved

Straszny dwór

The Haunted Manor is not only the most perfect work by Moniuszko in terms of music, but also one of the leading works of Polish opera in the 19th century. The great structure of group scenes, subtle and colorful instrumentalization, extraordinary melodic inventiveness and captivating atmosphere of Polishness are the unquestionable qualities of this piece. Moniuszko completed his fifth opera shortly after the fall of the January Uprising, so it is hardly surprising that it soon became known as a great patriotic demonstration. Right after its premiere, THE Haunted Manor hit the censorship wall. The Russian authorities, fearing riots, removed him from the poster after three performances. Here is a proof of how the fate of the opera can be influenced by external circumstances - because although the drawing of the characters themselves can be seen as influenced by the masterpieces of Fredro and Mickiewicz, the whole thing is nothing more, like a joyful, at times mocking, belcant-like affirmation of parochial Polishness. Elements of folklore, numerous patriotic themes and the atmosphere of a noble court mean that today this work is considered a Polish national opera. Awards: ENERGY KULTURY 2014 for the best cultural event in Łódź in 2014 and Złota Maska for the best performance of the 2014/15 season. ~~ ENG ~~ The Haunted Manor was the first opera presented in the Łódź Opera. On the 60th anniversary of this event, we have decided to stage Moniuszko's opera once again in our theater. We believe that every opera house in Poland should have this piece in its repertoire. The Haunted Manor is a great Polish opera, which combines Polish music tradition with motifs taken from the Italian comic opera. The piece is about two brothers, Stefan and Zbigniew, who vouch not to ever get married. They are, however, manipulated by their family to change their minds and take interest in two sisters, Hanna and Jadwiga. Our Haunted Manor will definitely be worth seeing. It is directed by Krystyna Janda. ~~~~ Composer: Stanisław Moniuszko Librettist: Jan Chęciński Premiere: October 18, 2014 Duration: 3 h 10 min (2 breaks) Directed by: Krystyna Janda Set design: Magdalena Maciejewska Costumes: Dorota Roqueplo Choreography: Emil Wesołowski Lighting effects director: Katarzyna Łuszczyk

The Haunted Manor is not only the most perfect work by Moniuszko in terms of music, but also one of the leading works of Polish opera in the 19th century. The great structure of group scenes, subtle and colorful instrumentalization, extraordinary melodic inventiveness and captivating atmosphere of Polishness are the unquestionable qualities of this piece.

Moniuszko completed his fifth opera shortly after the fall of the January Uprising, so it is hardly surprising that it soon became known as a great patriotic demonstration. Right after the premiere  THE TERRIBLE MANOR hit the censorship wall. The Russian authorities, fearing riots, removed him from the poster after three performances. This is proof of how the opera's fate may be influenced by external circumstances - because although the drawing of the characters themselves can be seen as influenced by the masterpieces of Fredro and Mickiewicz, the whole is nothing more than a joyful, at times mocking affirmation of parochial Polishness maintained in the spirit of the belcant. Elements of folklore, numerous patriotic themes and the atmosphere of a noble court mean that today this work is considered a Polish national opera.

English

STRASZNY DWÓR to nie tylko najdoskonalsze, od strony muzycznej, dzieło Moniuszki, ale także wysuwające się na czoło całej polskiej twórczości operowej XIX wieku. Świetna konstrukcja scen zespołowych, subtelna i zarazem barwna instrumentalizacja, niezwykła inwencja melodyczna i urzekająca atmosfera polskości to niepodważalne walory tego utworu.

Moniuszko ukończył swą piątą operę wkrótce po upadku powstania styczniowego, trudno więc się dziwić, że wkrótce przylgnęło do niej miano wielkiej manifestacji patriotycznej. Tuż po premierze  STRASZNY DWÓR trafił na mur cenzury. Władze rosyjskie, obawiając się zamieszek, zdjęły go z afisza po trzech przedstawieniach. Oto dowód, jak na los opery mogą wpłynąć okoliczności zewnętrzne – bo choć w samym rysunku postaci można dopatrzyć się wpływu arcydzieł Fredry i Mickiewicza, całość jest niczym więcej, jak radosną, chwilami kpiącą, utrzymaną w duchu belcanta afirmacją zaściankowej polskości. Elementy folkloru, liczne wątki patriotyczne oraz atmosfera szlacheckiego dworu sprawiają, że dziś utwór ten uznaje się za polską operę narodową.

polski

パフォーマンスクレジット (キャスト＆クルー )

キャスト

クルー

アンサンブル