Name: Sunt Lacrimae Rerum, Stavanger
Start: 2016-08-19T00:00:00.000Z
End: 2016-08-19T00:00:00.000Z
Location: Utstein Monastery

Admin

ArsNova

Maestro

Paul Hillier

Hanna Kappelin

Soprano

Elenor Wiman

Alto

Jakob Skjoldborg

Tenor

Thomas Kiørbye

Bass

Orchestra

Ars Nova

Cantor

Ann-Christin Wesser-Ingels

Kate Macoboy

Rebecca  Forsberg Svendsen

Iris Oja

Paul Bentley-Angell

Mats Lillhannus

Asger Lynge Petersen

Jakob Soelberg

Sunt Lacrimae Rerum, Stavanger

Oslo

Noruega

Utstein Monastery

Public

Private

Concert

Oratório / Orquestral

Ave Maria Virgo Serena

Doleo Super Te - Absolon, Fili Mi

Lamentatio Sanctae Matris Ecclesiae

Rachel Plorans

Nesciens Mater Virgo Virum

Art Vox Reportage - On Civilisation 2.0

Three Stages

Larissa Andrea Pereira

Approved

Accordionist

Instrumentista

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Ator

Broadcasting

Cenógrafo

Chefdirigent Musiktheater

Chorus Director

Compositor

Coral

Coreógrafo

Dançarino

Designer de Iluminação

Designer de Som

Designer de Vídeo

Diretor de Palco

Dramaturgo

Estilista

Estilista de cabelo

Extra

Illustrator

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Mestre de Coro

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Orquestra

Other

Photographer

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Repetidor

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Vocal coach

Wig & Makeup Designer

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Writing and performance

Baixo-barítono

Barítono

Contralto

Contratenor

Mezzo-soprano

Baixo

Continuo

Silent

Spoken

Vocalista Infantil

Our concert title is a famous phrase from Virgil's Aeneid. In Carthage Aeneas visits a temple to Juno and gazes on a mural which depicts key figures from the Trojan war—the war that has driven him to this alien shore as a refugee. He perceives how mortal things touch the spirit, and that 'there are tears at the heart of things.' And it is here that he first dares to hope for safety and to have more confidence in his wrecked fortunes.The music we sing in the first part of the concert includes three laments: King David mourning the death of his son Absolon in battle; Dufay's lament for the fall of Constantinople to the Turks in 1453; and Rachel's lament for her dead child, one of many killed by Herod's men in the slaughter of the innocents. These are set between two Marian motets by the Franco-Flemish composer Jean Mouton, which express the precious beauty and hope engendered by the birth of a child.

These references to strife between people of different religions and the plight of the refugee are placed here deliberately to echo some of the themes that occur in Line Tjørnhøj's extended 'report' on the state of civilisation at the beginning of our new millennium.

The composer Pelle Gudmundsen-Holmgreen, with whom Ars Nova enjoyed a particularly close association, died earlier this summer. To commemorate Pelle and pay tribute to his marvellous music, we conclude our concert with one of the finest pieces he wrote for us: Three Stages. This is a work in three sections which began life as a musical tapestry of Copenhagen street cries (quoting Berio's Cries of London in passing,) but then interweaves a sonnet by Shakespeare, Janequin's Chant des Oiseaux, and various other local references as well.

English

Sunt Lacrimae Rerum, Stavanger by Mouton, J., Anonymous 14th Century, Dufay, Anonymous From The Fleury Playbook, Tjørnhøj, Gudmundsen-Holmgreen, De (2016/2016), Regente Paul Hillier, Utstein Monastery, Oslo, Noruega

Créditos do espetáculo (Elenco & Equipe )

Elenco

Conjunto

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