Name: Symphonic Ecstasy
Start: 2023-05-10T00:00:00.000Z
End: 2023-05-10T00:00:00.000Z
Location: Lighthouse

Organization

Conductor

Kirill Karabits

violin

Stefan Jackiw

Orchestra

Bournemouth Symphony Orchestra

Symphonic Ecstasy

Poole

United Kingdom

Lighthouse

Symphonic Ecstasy: Concert

Public

Concert

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Chefdirigent Musiktheater

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Baritone

Singer

Bass

Tenor

Countertenor

Mezzo-soprano

Contralto

Bass-baritone

Soprano

Alto

Child vocalist

Continuo

Silent

Spoken

Glière’s tone poem begins with cellos and harps evoking the depths of the sea from which the Sirens’ song emerges, intertwined with the dashing theme of an unsuspecting sailor who is dragged to his doom. In La Mer the full scope of Debussy’s remarkable art is on display; conjured images of the sea, from gentle swells to the crashing of breakers on the shore. Like the sea itself, the surface of the music hints at the brooding mystery beneath – vibrating, oscillating, shimmering. Although Glière began writing his unfinished Violin Concerto shortly before his death in 1956 – it was completed and orchestrated by Lyatoshinsky – it constitutes a throwback to the lyrical, Romantic style of Mendelssohn and Tchaikovsky, and is a wonderful virtuosic showpiece deserving of greater prominence. Written in 1919 after the ravages of the war, rather than a sunny homage to the 19th-century Viennese waltz, La Valse is more a savage ‘danse macabre’. With keen insight and astonishing imagination, Ravel mimics and parodies every aspect of the waltz idiom. As it progresses it becomes more exaggerated and distorted, and when the end comes, it is noisy and violent – exploding in a final, ecstatic din.

English

Symphonic Ecstasy by Various, Noiztik (2023/2023), Zuzendaria Kirill Karabits, Lighthouse, Poole, United Kingdom

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