Name: Symphonie fantastique, op. 14
Start: 2022-08-31T00:00:00.000Z
End: 2022-08-31T00:00:00.000Z
Location: Château Louis XI

Organization

Festival Berlioz

Conductor

Thomas Hengelbrock

Pianist

Philippe Cassard

Orchestra

Orchestre National de France

Symphonie fantastique, op. 14 -  (Symphonie fantastique Op. 14)

La Côte-Saint-André

France

Château Louis XI

Public

Symphonie fantastique Op. 14

Approved

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da gamba

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Actor

Broadcasting

Choir

Choreographer

Chorus Director

Chorus master

Composer

Costume designer

Dancer

Dramaturge

Executive producer

Extra

Hairstylist

Illustrator

Librettist

Lighting designer

Makeup artist

Orchestra Operations

Other

Photographer

Poet

Repetiteur

Set designer

Sound designer

Stage Manager

Stage director

Teacher

Translator

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Mezzo-soprano

Singer

Soprano

Contralto

Bass

Tenor

Bass-baritone

Countertenor

Baritone

Alto

Child vocalist

Continuo

Silent

Spoken

Sublime closing in the company of the prestigious phalanx of the Maison de la Radio invited for the first time to the Berlioz Festival and conducted by Maestro Thomas Hengelbrock, as well as the pianist Philippe Cassard.

“ Berlioz is a real caricature, without a shadow of talent, groping in the dark and believing himself the creator of a new world; with that he writes the most detestable things, and speaks, dreams only of Beethoven, Schiller and Goethe ” wrote Mendelssohn bluntly of Berlioz in 1831, when the two young men in their twenties were staying in Rome. This youthful annoyance did not prevent him from welcoming Berlioz with open arms years later to Leipzig, keeping in mind their Roman friendship.
Berlioz's judgment of Mendelssohn is quite different – ​​" he is an admirable boy, his talent for execution is as great as his musical genius– and he frequently conducts his works thereafter, such as his brilliant and virtuoso first piano concerto, begun in Rome.

Mendelssohn's pen is decidedly very sharp; According to him , Victor Hugo Ruy Blas ' play is quite simply " detestable and without any dignity ". He initially refuses to compose the opening that is asked of him before finally writing it in just three days.

With his Fantastic Symphony , Berlioz the " creator of a new world " revolutionized the framework of the symphony, innovated in its orchestration, managed to capture the very essence of his obsessive passion for the actress Harriet Smithson by embodying it in a melody recurring (the fixed idea), and composes one of the masterpieces of romantic symphonic music. A score that also includes thousands of sublimities.

English

Sublime clôture en compagnie de la prestigieuse phalange de la Maison de la Radio invitée pour la première fois au Festival Berlioz et dirigée par le Maestro Thomas Hengelbrock, ainsi que du pianiste Philippe Cassard.

« Berlioz est une vraie caricature, sans l’ombre de talent, cherchant à tâtons dans les ténèbres et se croyant le créateur d’un monde nouveau ; avec cela il écrit les choses les plus détestables, et ne parle, ne rêve que de Beethoven, Schiller et Goethe » écrit Mendelssohn sans ménagement à propos de Berlioz en 1831, alors que les deux jeunes hommes âgés d’une vingtaine d’années séjournent à Rome. Cet agacement juvénile ne l’empêchera pas d’accueillir Berlioz à bras ouverts des années plus tard à  Leipzig, gardant en mémoire leur amitié romaine.
Le jugement de Berlioz sur Mendelssohn est bien différent – « c’est un garçon admirable, son talent d’exécution est aussi grand que son génie musical » – et il dirige par la suite fréquemment ses œuvres, comme son premier concerto pour piano, brillant et virtuose, commencé à Rome.

La plume de Mendelssohn est décidément bien acérée ; la pièce de Victor Hugo Ruy Blas est selon lui tout simplement « détestable et sans aucune dignité ». Il refuse dans un premier temps de composer l’ouverture qu’on lui demande avant de finalement l’écrire en trois jours seulement.

Avec sa Symphonie fantastique, Berlioz le « créateur d’un monde nouveau » révolutionne le cadre de la symphonie, innove dans son orchestration, parvient à capter l’essence même de sa passion obsessionnelle pour la comédienne Harriet Smithson en l’incarnant en une mélodie récurrente (l’idée fixe), et compose l’un des chefs-d’œuvre de la musique symphonique romantique. Une partition qui elle aussi comporte des milliers de sublimités.

français

Symphonie fantastique Op. 14 by Berlioz, Frá (2022/2022), Hljómsveitarstjóri Thomas Hengelbrock, Château Louis XI, La Côte-Saint-André, France

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