Organization

Stage director

Kornél Mundruczó

Lighting designer

Felice Ross

Costume designer

Sophie Klenk-Wulff

Set designer

Monika Pormale

Dramaturge

Kata Wéber

Singer

Bass

Georg Zeppenfeld

Hermann

Tenor

Klaus Florian Vogt

Tannhäuser

Baritone

Christoph Pohl

Wolfram of Eschenbach

Daniel Kluge

Walther of the Vogelweide

Bass-baritone

Levente Páll

Biterolf

Jürgen Sacher

Heinrich the scribe

Martin Summer

Reinmar of Zweter

Mezzo-soprano

Tanja Ariane Baumgartner

Venus

Soprano

Jennifer Holloway

Elizabeth

Narea Son

A young shepherd

Conductor

Kent Nagano

Chorus master

Eberhard Friedrich

Staatsoper Hamburg

Others

Hamburg State Opera Choir

Orchestra

Philharmonic State Orchestra Hamburg

þýska

Hamburg

Germany

Staatsoper

Großes Haus

Public

enska

Approved

Tannhäuser Wagner,Richard

An artist in contradiction - to himself, to society, to the beloved Elisabeth, to the erotic fascination of Venus. In the medieval legend of the Singers' War, Richard Wagner searches for answers in the years before the revolution of 1848, which will fail and make him a wanted refugee. Is conformity the death of art? Is there an immediate truth beyond morality and church? How great is the power of love?
Wagner's decades-long struggle for recognition is also reflected in the minstrel's failure . Again and again he dealt with the work, the first performance in Dresden in 1845
met with incomprehension, the first performance in Paris in 1861 became a scandal. “I still owe the world a Tannhauser”, was Wagner's summary shortly before his death.

English

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