Organization

Hessisches Staatstheater

Baixo (+3)

Young Doo Park

Hermann

Soprano (+4)

Betsy Horne

Elisabeth

Barítono (+4)

Benjamin Russell

Wolfram von Eschenbach

Thomas de Vries

Biterolf

Tenor (+5)

Ralf Rachbauer

Heinrich der Schreiber

Soprano (+2)

Stella An

Ein junger Hirt

Diretor de Palco

Diretor de Palco (+3)

Uwe Eric Laufenberg

Cenógrafo

Cenógrafo (+2)

Rolf Glittenberg

Estilista

Estilista (+1)

Marianne Glittenberg

Vídeo

Gérard Naziri

Designer de Iluminação

Designer de Iluminação (+1)

Andreas Frank

Mestre de Coro

Mestre de Coro (+3)

Albert Horne

Dramaturgo

Dramaturgo (+5)

Regine Palmai

Maestro

Maestro (+3)

Michael Güttler

Falado

Johannes Kastl

Tenor

Marco Jentzsch

Tannhäuser

Mezzo-soprano (+4)

Katrin Wundsam

Venus

Tenor (+2)

Gustavo Quaresma

Walther von der Vogelweide

Baixo-barítono (+2)

Mikhail Biryukov

Reinmar von Zweter

Aaron Cawley

Klaus Florian Vogt

Hessisches Staatstheater Wiesbaden

Orchestra

Hessisches Staatsorchester Wiesbaden

Extras

Statisterie des Hessischen Staatstheaters Wiesbaden

Chorus

Chor des Hessischen Staatstheaters Wiesbaden

Soprano

Elena Bezgodkova

Barítono (+3)

Christopher Bolduc

Closely related to Faust, Wagner's Tannhäuser seems to carry two souls in his chest. Both courageous and rebellious, he is desperately seeking to cross a border, to make a breakthrough, while as an artist he also yearns to be accepted into Wartburg society. Which is the road to "salvation"? The pilgrimage to Rome or a return to Venusberg? Does the journey require a detour, perhaps a more rebellious approach - or should we simply be following the chosen path? For all its "Tannhäuser" conflicts, the world seems to need a miracle to let the the pilgrim's staff thrive once again.

Fotos