Name: Tarare
Start: 2018-11-22T00:00:00.000Z
End: 2018-11-22T00:00:00.000Z
Location: Opéra Royal

Admin

Organization

Tenor

Cyrille Dubois

Tarare

Mezzo-soprano

Karine Deshayes

Astasie

Baritone

Jean-Sébastien Bou

Atar

Soprano

Judith van Wanroij

La Nature

Spinette

Enguerrand de Hys

Calpigi

Tassis Christoyannis

Arthénée

Le Génie du Feu

Jérôme Boutillier

Urson

Un Esclave

Un Pretre

Philippe-Nicolas Martin

Altamort

Un Paysan

Un Eunuque

Conductor

Christophe Rousset

Others

Choeur des Chantres du Centre de Musique Baroque de Versailles

Opéra Royal de Versailles

Orchestra

Les Talens Lyriques

Centre de musique baroque de Versailles

Tarare -  (The Danaids)

Versailles

France

Opéra Royal

Tarare Salieri

Public

Private

The Danaids

Pallavi Pawar

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Contralto

Bass-baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Antonio Salieri a le statut de légende qu'on n'octroie qu'aux criminels célèbres... pourtant il n'a pas assassiné Mozart ! Glorieux à Vienne dont il était devenu le principal compositeur, "dauphin" de Gluck et joué partout en Europe, il avait su conquérir le public parisien par surprise. Son maître Gluck avait accepté la commande de l'opéra Les Danaïdes à contrecœur, et l'avait secrètement confiée à Salieri. La création en 1784 suscita la plus grande effervescence, et le public reconnut en cette œuvre un sommet de l'art de Gluck... jusqu'à ce qu’un communiqué de celui-ci précise que l'œuvre était entièrement de la main de Salieri ! Du jour au lendemain, Salieri devint la coqueluche de Paris. Marie Antoinette, qui avait assisté à la première et reçu le "véritable" compositeur à plusieurs reprises, le récompensa à hauteur de l'événement. 

Salieri s'attela en 1787 au premier opéra de Beaumarchais : Tarare, dont l'auteur avait articulé une campagne médiatique inouïe, interdisant tout accès aux répétitions, et suscitant une telle attente qu'il fallut poster quatre-cent gardes autour de l'opéra pour contenir l'affluence de la première en 1787 ! L'œuvre, qui mêle à la turquerie une violente critique des excès du despotisme, était "révolutionnaire" à plus d'un titre, et fut un triomphe extraordinaire, restant pendant plusieurs décennies le spectacle le plus lucratif de l'Opéra de Paris ! Salieri et Da Ponte refondirent l'œuvre pour une version italienne, Axur, Re d'Ormuz créée à Vienne pour l'empereur en 1788, et qui fit le tour du monde, de la Russie au Brésil.

Dénonçant la violence du despotisme, le valeureux général persécuté par le méchant sultan voit le peuple se soulever, mettre à mort le tyran, acclamer le général et le mettre sur le trône : cette intrigue préfigure sans le savoir la Révolution, la mort de Louis XVI et Bonaparte ! Au point qu'en 1790 à Paris, à l'occasion des événements commandés pour la Fête de la Fédération, Beaumarchais fit réaliser un acte final complémentaire pour créer Le Couronnement de Tarare, qui remporta également un très grand succès.
Christophe Rousset redonne vie à cette œuvre incroyable, dont la virtuosité du livret de Beaumarchais en fait un véritable "monument" du théâtre français.

français

Antonio Salieri has the status of legend that is only granted to famous criminals... yet he did not assassinate Mozart! Glorious in Vienna where he had become the main composer, "dauphin" of Gluck and played throughout Europe, he was able to conquer the Parisian public by surprise.  His master Gluck had reluctantly accepted the commission for the opera  Les Danaïdes , and had secretly entrusted it to Salieri. The creation in 1784 aroused the greatest excitement, and the public recognized this work as a peak of Gluck's art... until a press release from him specified that the work was entirely by his hand. by Salieri! Overnight, Salieri became the darling of Paris. Marie Antoinette, who had attended the premiere and received the "real" composer on several occasions, rewarded him commensurate with the event. 

In 1787 Salieri took on Beaumarchais' first opera:  Tarare , whose author had launched an unprecedented media campaign, prohibiting all access to rehearsals, and arousing such anticipation that four hundred guards had to be stationed around the opera. to contain the crowds of the first in 1787! The work, which combines Turkishness with a violent critique of the excesses of despotism, was "revolutionary" in more than one way, and was an extraordinary triumph, remaining for several decades the most lucrative show at the Paris Opera! Salieri and Da Ponte recast the work for an Italian version, Axur, Re d'Ormuz created in Vienna for the emperor in 1788, and which toured the world, from Russia to Brazil.

Denouncing the violence of despotism, the valiant general persecuted by the evil sultan sees the people rise up, put the tyrant to death, acclaim the general and put him on the throne: this intrigue unknowingly prefigures the Revolution, the death of Louis XVI and Bonaparte! To the point that in 1790 in Paris, on the occasion of the events commissioned for the Fête de la Fédération, Beaumarchais had a complementary final act carried out to create  The Coronation of Tarare , which was also a great success.
Christophe Rousset brings this incredible work back to life, whose virtuosity of Beaumarchais' libretto makes it a true "monument" of French theater.

English

The Danaids by Salieri, 에서 (2018/2018), 지휘자 Christophe Rousset, Opéra Royal, Versailles, France

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