Organization

Cantante

Soprano

Ewa Vesin

Floria Tosca

Tenore

Rafał Bartmiński

Mario Cavaradossi

Basso

Tomasz Rudnicki

Cesare Angelotti

Aleksander Zuchowicz

Spoletta

Andrzej Zborowski

Sciarrone

Jerzy Szlachcic

Un carceriere

Direzione d'orchestra

Adam Banaszak

Baritono

Mikołaj Zalasiński

Il barone Scarpia

Jacek Jaskuła

Il sagrestano

Khatuna Chokhonelidze

Radosław Żukowski

Maciej Krzysztyniak

Regia

Michael Gieleta

Scenografia

Gary McCann

Costumi

Luci

Ewa Garniec

Voce bianca

Nina Hauser

Un pastore

Jakub Michalski

Marek Klimczak

Opera Wrocławska

Others

Choir of the Wroclaw Opera

Orchestra

Orkiestra Opery Wrocławskiej

Tosca

Breslavia

Polonia

TOSCA

Public

Approvato

Tosca Puccini

Giacomo Puccini, by opening Toska's twentieth century, made opera closer to people with his then unusual, unique musical language and a thoroughly veristic message. Although it was closer to her some fifty years earlier, for example thanks to Giuseppe Verdi's La Traviata, but there this closeness was mainly based on the libretto. There is something more here, in addition to the libretto, we have an emotional score that paints in our heads a picture of the Roman church of Sant'Andrea della Valle with a picture of the Marquise of Attavanti, the Scarpia palace or the courtyard of the Castel Sant'Angelo.

The work, which premiered 121 years ago (January 14, 1900), is in fact extremely realistic. The emotions and feelings that are present in the part of Floria Toska and the painter Mario Cavaradossi are shared by the audience. Extremely tight action (musically and theatrically) takes us to Rome in 1800. It is there - in the courtyard of the Castel Sant'Angelo - we witness an intrigue that turns out of love into a tragedy.

English

Crediti di rappresentazione (Cast e team di produzione )

Cast

Team creativo

Ensemble