Admin

Organization

Singer

Soprano

Chunqing Zhang

Floria Tosca

Michelle Marie Cook

Tenor

Sergi Giménez

Mario Cavaradossi

Carlos Cremades

Baritone

Alberto Cazes

Baron Scarpia

Jorge Tello

Joan García Gomà

The sacristan

Guillem Batllori

Bass

Antonio Fajardo

Cesare Angelotti

Sinho Kim

Emili Gispert

Spoletta

Ariel Seras

Sciarrone

German Casetti

A jailer

Quim Cornet

Conductor

Xavier Puig

Stage director

Jesús Fernández

Chorus master

Gabriela Zabala

Marta Mateu

Others

Cor NovAria

Orchestra

Orquestra Terrassa 48

Novaria

Tosca

Barcelona

Spain

Palau de la Música Catalana

Tosca Puccini

Approved

Tosca shows us the best characteristics of Puccini's composition and its ability to know how to contribute at all times what is necessary, and become unique in reference to the vocal and stage performance of the singers.
It is considered one of the most representative operas of the Italian verista repertoire (realist-naturalist style) of the second half of the nineteenth century and early twentieth century, for its dramatic intensity, with brilliantly shocking scenes such as the "Te Deum" of the Mixed Choir and Baron Scarpia at the end of the first act, and to host some of the most beautiful and exciting arias in the repertoire, such as the "Vissi d'arte" by the female protagonist Floria Tosca, the second act, or the "E lucevan le stelle" of the male protagonist Mario Cavaradossi, in the third and final act of the play.
The plot combines love, intrigue, violence, passion and death. Along with Madama Butterfly and La Bohème, he is part of Puccini's most famous opera trio.

Tosca shows us the best characteristics of Puccinian composition and its ability to know how to contribute what is necessary at all times, and become unique in reference to the vocal and scenic brilliance of the singers.
It is considered one of the most representative operas of the Italian verista repertoire (realistic-naturalistic style) of the second half of the 19th century and the beginning of the 20th, due to its dramatic intensity, with brilliantly impressive scenes such as the "Te Deum" of the mixed Choir and the Barón Scarpia from the end of the first act, and for hosting some of the most beautiful and moving arias in the repertoire, such as the "Vissi d'arte" by the female lead Floria Tosca, from the second act, or the "e lucevan le stelle" from the male lead Mario Cavaradossi, in the third and last act of the play.
The argument combines love, intrigue, violence, passion and death. Along with Madama Butterfly and La Bohème, it is part of Puccini's most famous trio of operas.
The action takes place in Rome, on June 14, 1800, when Napoleon defeats the Austrians commanded by General Michael von Melas, at the Battle of Marengo.

English

Tosca nos muestra las mejores características de la composición pucciniana y su capacidad para saber aportar en cada momento lo necesario, y convertirse en único en referencia al lucimiento vocal y escénico de los cantantes.
Está considerada una de las óperas más representativas del repertorio verista italiano (estilo realista-naturalista) de la segunda mitad del siglo XIX y principios del XX, por su intensidad dramática, con escenas genialmente impactantes como el "Te Deum" del Coro mixto y el Barón Scarpia del final del primer acto, y por albergar algunas de las arias más bellas y emocionantes del repertorio, como el "Vissi d'arte" de la protagonista femenina Floria Tosca, del segundo acto, o el "e lucevan le stelle" del protagonista masculino Mario Cavaradossi, en el tercer acto y último de la obra.
El argumento combina amor, intriga, violencia, pasión y muerte. Junto con Madama Butterfly y La Bohème, integra el trío de óperas más célebres de Puccini.
La acción transcurre en Roma, el 14 de junio de 1800, cuando Napoleón vence a los austríacos comandados por el general Michael von Melas, en la batalla de Marengo.

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