Admin

Hungarian State Opera

Maestro

Maestro (+3)

Gergely Kesselyák

Diretor de Palco

Diretor de Palco (+2)

Fabio Ceresa

Cenógrafo

Cenógrafo (+2)

Tiziano Santi

Estilista

Estilista (+1)

Giuseppe Palella

Coreógrafo

Coreógrafo (+1)

Mattia Agatiello

Designer de Iluminação

Ferenc Stadler

Dramaturgo

Dramaturgo (+2)

Eszter Orbán

Mestre de Coro

Mestre de Coro (+7)

Gábor Csiki

Baixo (+4)

Géza Gábor

Baixo (+3)

András Kiss

Samuel

Barítono (+3)

Máté Fülep

Silvano

Barítono (+4)

Lőrinc Kósa

Criado de Amélia

Um Juíz

Orchestra

Hungarian State Opera Orchestra

Hungarian State Opera House

Tradutor

Tradutor (+2)

Arthur Roger Crane

Chorus

Choir of the Hungarian State Opera

Tenor (+5)

Boldizsár László

Riccardo

Attila Mokus

Renato

Soprano (+1)

Adrienn Miksch

Amélia

Mezzo-soprano (+2)

Erika Gál

Ulrica

Soprano (+2)

Eszter Zemlényi

Oscar

Tenor (+3)

Adorján Pataki

Barítono (+2)

Károly Szemerédy

Zsuzsanna Ádám

Ildikó Komlósi

Zita Szemere

The subject of this work sparked Verdi's fiercest battle with the censor of Naples and, later on, of Rome. The original libretto treated an actual historical event: the 1792 regicide of a Swedish king. However, this proved too delicate a matter given the political situation of the day, and so in order to curry favour with the censor, the king was converted into an earl and the plot transplanted from Europe to the English North American colonies. After a few more minor alterations, the Roman censor allowed the staging of the work, which when the layer of political assassination is peeled away the plot, reveals a love story. Apart from the political discontent, the real stakes are over a marriage in need of saving. Lurking in the story's background are visceral emotions of unrequited love and blind jealousy that move the plot along.

italiano