Admin

Хореограф

Хореограф (+1)

Mattia Agatiello

Контральто (+5)

Atala Schöck

Ульрика

Баритон (+3)

Máté Fülep

Сильвано

Баритон (+4)

Lőrinc Kósa

Судья

Слуга Амелии

Переводчик

Драматург (+2)

Eszter Orbán

Переводчик (+2)

Arthur Roger Crane

Дирижер

Дирижер (+1)

János Kovács

Тенор (+3)

Adorján Pataki

Рикардо

Сопрано (+1)

Adrienn Miksch

Амелия

Меццо-сопрано (+2)

Bernadett Wiedemann

Zsuzsanna Kapi

Оскар

Дирижер (+3)

Kálmán Szennai

Hungarian State Opera

Тенор (+5)

Boldizsár László

Michele Kalmandy

Ренато

Zsuzsanna Ádám

Сопрано (+2)

Eszter Zemlényi

Бас (+4)

Géza Gábor

Том

Бас (+3)

András Kiss

Самуэль

Режиссер-постановщик

Режиссер-постановщик (+2)

Fabio Ceresa

Художник-постановщик

Художник-постановщик (+2)

Tiziano Santi

Художник по костюмам

Художник по костюмам (+1)

Giuseppe Palella

Художник по свету

Ferenc Stadler

Драматург

Супертитры

Хормейстер

Хормейстер (+7)

Gábor Csiki

Orchestra

Hungarian State Opera Orchestra

Chorus

Choir of the Hungarian State Opera

Hungarian State Opera House

Attila Mokus

Бас-баритон (+7)

István Kovács

The subject of this work sparked Verdi's fiercest battle with the censor of Naples and, later on, of Rome. The original libretto treated an actual historical event: the 1792 regicide of a Swedish king. However, this proved too delicate a matter given the political situation of the day, and so in order to curry favour with the censor, the king was converted into an earl and the plot transplanted from Europe to the English North American colonies. After a few more minor alterations, the Roman censor allowed the staging of the work, which when the layer of political assassination is peeled away the plot, reveals a love story. Apart from the political discontent, the real stakes are over a marriage in need of saving. Lurking in the story's background are visceral emotions of unrequited love and blind jealousy that move the plot along.
Un ballo in maschera is presented as part of the Opera's repertoire – in accordance with the composer's original intention – as the story of the Swedish king Gustavo III in a production created by the young Italian director and competition-winner Fabio Ceresa.

Фото