Why are women in opera so often depicted as prostitutes, sacrificial victims, or both? Women reframe their own operatic portrayal in this double bill that pairs the most radical monodrama of the last century with one by this century’s most exciting new voices. Arnold Schoenberg’s Pierrot Lunaire (1912) changed music forever when he created 21 surreal dreamscapes for a solitary, enigmatic female to traverse. Exploring a threshold space between singing and speaking, Schoenberg created a vocal character somewhere between cabaret and expressionism, demanding each performer to make the role uniquely her own. 100 years later, Kate Soper’s Voices from the Killing Jar (2012) takes an intrepid soloist through a constantly shifting sonic environment and a kaleidoscopic vocal journey. Soper’s protagonist brings to life 8 famous women in world literature -- from Don Giovanni to Great Gatsby, from Shakespeare to Haruki Murakami -- to unravel men’s depictions of women through the centuries.