Name: Wagner's 'Wesendonck Lieder' with Anja Kampe and Michael Boder
Start: 2009-03-14T00:00:00.000Z
End: 2009-03-14T00:00:00.000Z
Location: Berliner Philarmoniker

Organization

Дирижер

Michael Boder

Певец

Сопрано

Anja Kampe

Orchestra

Berliner Philharmoniker

Wagner's "Wesendonck Lieder" with Anja Kampe and Michael Boder

Берлин

Германия

Berliner Philharmonie

Michael Boder conducts an original and varied programme in this concert from 2009. Elliott Carter’s dazzling Celebration of Some 100 x 150 Notes is followed by Schumann’s sonorous, high-spirited Rhenish Symphony and Witold Lutosławski’s Concerto for Orchestra, one of the composer’s most striking and accessible works. We also hear soprano Anja Kampe, who has also appeared at Bayreuth, in Wagner’s passionate Wesendonck Lieder .

Wagner's "Wesendonck Lieder" with Anja Kampe and Michael Boder: Concert Various

Public

Концерт

Одобрено

Berliner Philarmoniker

Accordionist

Инструменталист

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Chefdirigent Musiktheater

Chorus Director

Extra

Illustrator

Orchestra Operations

Photographer

Poet

Stage Manager

Wig & Makeup Designer

Writer

Writing and performance

Видеодизайнер

Драматический актер

Драматург

Другой

Звукорежиссер

Исполнительный продюсер

Композитор

Либреттист

Оркестр

Парикмахер

Педагог по вокалу

Педагог-репетитор

Переводчик

Преподаватель

Режиссер-постановщик

Танцовщик

Трансляция

Хор

Хореограф

Хормейстер

Художник по гриму

Художник по костюмам

Художник по свету

Художник-постановщик

Бас-баритон

Бас

Контратенор

Меццо-сопрано

Тенор

Баритон

Контральто

Alto

Детский голос

Немая роль

Разговорная роль

Modern and contemporary music are an essential component in the repertoire of conductor Michael Boder, who, among other works, has conducted the premieres of new operas by Friedrich Cerha and Aribert Reimann. Thus, it is not surprising that his concert with the Berliner Philharmoniker in March 2009 began and ended with 20th-century works. The programme opened with a piece by the American composer Elliott Carter, who celebrated his 100th birthday in December 2008 in good health and as productive as ever. To mark the occasion the orchestra focussed on works by Carter during the season. In A Celebration of Some 100 x 150 Notes Carter plays a complex and clever game with the genre of the musical fanfare.

Witold Lutosławski’s Concerto for Orchestra picks up the thread of the composition of the same name by his revered Hungarian colleague Béla Bartók. In one of his most striking and accessible works the Polish composer combines folk motifs and rhythmic energy with exciting dramaturgy. German Romanticism was also represented between the works by Carter and Lutosławski. After Robert Schumann was welcomed with great enthusiasm at his new post in Düsseldorf in 1850, he composed his Third Symphony at his usual breathtaking tempo; it became famous under the nickname Rhenish, which did not originate with the composer. The traditional four-movement symphonic model was expanded with a second slow movement whose mysterious, eerie atmosphere forms a contrast to the largely cheerful character of the work.

A few years later Schumann’s contemporary Richard Wagner set five poems by Mathilde Wesendonck, the industrialist's wife for whom he felt an intense passion, to music. Several motifs from the songs, Wagner’s only significant contribution to the genre of the art song, turn up again in the opera Tristan und Isolde, which was composed at the same time and inspired by his love for Mathilde Wesendonck. The soloist in this recording is Anja Kampe, who, as an interpreter of highly dramatic roles of the operatic repertoire, is one of the most successful singers of our day.

English

Wagner's "Wesendonck Lieder" with Anja Kampe and Michael Boder by Various, С (2009/2009), Дирижёр Michael Boder, Berliner Philarmoniker, Берлин, Германия

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