Name: Whelan
Start: 2024-09-26T00:00:00.000Z
End: 2024-09-26T00:00:00.000Z
Location: Espoo Cultural Centre (Espoon kulttuurikeskus)

Admin

Tapiola Sinfonietta

Conductor

Peter Whelan

Orchestra

Whelan

Espoo

Finland

Espoo Cultural Centre (Espoon kulttuurikeskus)

Tapiolasali

Public

Concert

Brandenburg Concerto No. 1 in F Major BWV 1046

Pulcinella, suite

Ich liebe den Höchsten von ganzem Gemüte, BWV 174

Battalia à 10

Brandenburg Concerto No.2 in F Major, BWV 1047

Samabedona Majumder

Approved

Bass

Instrumentalist

Pianist

Violinist

Cellist

Violist

Flutist

Clarinetist

Guitarist

Organist

Percussionist

hornist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harper

Saxophonist

Harpsichordist

Bassist

Accordionist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da gamba

Musette de cour Player

Viola Pomposa Player

Archlutenist

Vibraphonist

Cornettist

Viola d’amore Player

Theorbist

Composer

Stage director

Librettist

Set designer

Costume designer

Choreographer

Lighting designer

Dancer

Actor

Chorus master

Video designer

Dramaturge

Translator

Sound designer

Repetiteur

Makeup artist

Executive producer

Hairstylist

Other

Stage Manager

Choir

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Illustrator

Writer

Writing and performance

Chorus Director

Wig & Makeup Designer

Orchestra Operations

Extra

Countertenor

Singer

Contralto

Bass-baritone

Mezzo-soprano

Soprano

Tenor

Baritone

Spoken

Child vocalist

Silent

Alto

Continuo

Peter Whelan, who rose to fame as a period bassoonist, is known for playing in many baroque ensembles. He is the right man to conduct Bach's first and largest Brandenburg, in which the winds play a prominent role. In the second Brandenburg soloist, there are treble instruments, trumpet, flute, oboe and violin. In the prelude to Cantata No. 174, Bach used themes from the Third Brandenburg Concerto. Biber's battle depiction Battalia represents the earlier German baroque, where warfare is sad, but sometimes also a comic activity. In the 17th century, armies from different countries rumbled all over Europe, and even in this Battalia, it is not known who is fighting and why. In Pulcinella, Stravinsky found the past and breathed life into the notes of the 18th century, which he found in the Naples library, in the sparkling 1920s.

English

Periodifagotistina maineeseen noussut Peter Whelan tunnetaan monien barokkiyhtyeiden riveistä. Hän on oikea mies johtamaan Bachin ensimmäistä ja suurinta Brandenburgilaista, jossa puhaltimilla on näyttävä rooli. Toisessa Brandenburgilaisessa solisteina on diskanttisoittimia, trumpetti, huilu, oboe ja viulu. Kantaatin nro 174 alkusoitossa Bach hyödynsi kolmannen Brandenburgilaisen konserton aiheita. Biberin taistelukuvaus Battalia edustaa varhaisempaa saksalaisbarokkia, jossa sodankäynti on surullista, mutta välillä myös koomista touhua. 1600-luvulla erimaalaiset armeijat rymistelivät Eurooppaa pitkin ja poikin, eikä tässäkään Battaliassa tiedetä, ketkä taistelevat ja miksi. Pulcinellassa Stravinsky löysi menneisyyden ja puhalsi Napolin kirjastosta löytämiinsä 1700-luvun nuotteihin kuohuvaa 1920-lukua henkivän elämän.

suomi

Whelan by Bach, J. S., Stravinsky, Biber, Noiztik (2024/2024), Zuzendaria Peter Whelan, Espoo Cultural Centre (Espoon kulttuurikeskus), Espoo, Finland

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