Name: Wiener Symphoniker Wiener Singakademie Karg Goerne Eschenbach
Start: 2022-09-29T00:00:00.000Z
End: 2022-09-29T00:00:00.000Z
Location: Wiener Konzerthaus

Organization

Conductor

Christoph Eschenbach

Singer

Soprano

Christiane Karg

Baritone

Matthias Goerne

Orchestra

Vienna Symphony Orchestra

Others

Vienna Singing Academy

Wiener Konzerthaus

alemana

Wiener Symphoniker / Wiener Singakademie / Karg / Goerne / Eschenbach

Vienna

Austria

Großer Saal

Wiener Symphoniker / Wiener Singakademie / Karg / Goerne / Eschenbach: Ein deutsches Requiem Brahms

Public

A German Requiem

Approved

Wiener Symphoniker / Wiener Singakademie / Karg / Goerne / Eschenbach: Ein deutsches Requiem

Chefdirigent Andrés Orozco-Estrada hat seine Funktionen bei den Wiener Symphonikern niedergelegt. Wir freuen uns, dass Christoph Eschenbach das Dirigat übernimmt.
Matthias Goerne musste seine Mitwirkung krankheitshalber leider absagen. Das Wiener Konzerthaus dankt Georg Nigl, der sich kurzfristig bereit erklärt hat, einzuspringen.
Dieses Konzert wird im Rahmen einer Kooperation zwischen der Wiener Konzerthausgesellschaft und den Wiener Symphonikern veranstaltet. Weitere Informationen zur Datenverarbeitung bei Kooperationsveranstaltungen, Speicherdauer und Ihren Rechten finden Sie in unserer Datenschutzerklärung.

Deutsch

Principal conductor Andrés Orozco-Estrada has resigned from his position at the Wiener Symphoniker. We are delighted that Christoph Eschenbach is conducting.
Unfortunately, Matthias Goerne had to cancel his participation due to illness. The Wiener Konzerthaus would like to thank Georg Nigl, who agreed to step in at short notice.
This concert is organized as part of a cooperation between the Wiener Konzerthausgesellschaft and the Wiener Symphoniker. Further information on data processing at cooperation events, storage period and your rights can be found in our data protection declaration .

magic of poetry
The Wiener Symphoniker played a key role in establishing Johannes Brahms' reputation as an orchestral composer. The »German Requiem« also connects them with the history of the Vienna Konzerthaus. In total, Johannes Brahms worked on his most famous composition for soloists, choir and orchestra for twelve years. That's why he said, »I don't like to hear that I wrote the Requiem for my mother either!«. It is primarily characterized by the intensive exchange with Clara Schumann. "Can't you like a German text as much as the usual Latin?" he wrote to his girlfriend. Brahms used Luther's translation of the Old and New Testaments as the basis for »A German Requiem«. "As far as the text is concerned, I want to confess that I would be happy to leave out the 'German' and simply put the 'people'," he said. For Brahms, what counted above all were those who were suffering and needed encouragement. 

With the predecessor of the Wiener Symphoniker, the longstanding principal conductor Ferdinand Löwe presented the »German Requiem« for the first time in the Konzerthaus in December 1915; a year after the First World War, more of numerous performances followed.

English

Wiener Symphoniker / Wiener Singakademie / Karg / Goerne / Eschenbach by Brahms, Noiztik (2022/2022), Zuzendaria Christoph Eschenbach, Wiener Konzerthaus, Vienna, Austria

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