Name: Yevgeny Onegin
Start: 2021-09-24T00:00:00.000Z
End: 2022-06-03T00:00:00.000Z
Location: Novaya Opera Theatre

Organization

Mezzo-soprano

Anastasia Bibicheva

Larina

Aleksandra Saulskaya-Shultyaeva

Elena Svechnikova

Tatyana Tabachuk

Natalia Kreslina

Galina Badikovskaya

Soprano

Ekaterina Kichigina

Tatiana

Ksenia Volkova

Elizaveta Soina

Ekaterina Petrova

Ekaterina Mirzoyants

Olga Tolkmit

Contralto

Agunda Kulaeva

Olga

Valeria Pfister

Irina Romishevskaya

Victoria Yarovaya

Anna Sinitsyna

Yulia Mennibaeva

Anastasia Lepeshinskaya

Polina Shamaeva

Margarita Nekrasova

Filippyevna

Emma Sarkisyan

Baritone

Andrej Breus

Eugene Onegin

Igor Golovatenko

Vasily Ladyuk

Alexander Martynov

Alexey Bogdanchikov

Ilya Kuzmin

Konstantin Suchkov

Pavel Yankovsky

Tenor

Yaroslav Abaimov

Lensky

Alexander Bogdanov

Dmitry Pianov

Alexey Tatarintsev

Georgy Vasiliev

Alexei Neklyudov

Bogdan Volkov

Stanislav Mostovoy

Bass

Alexey Antonov

Prince Gremin

Sergey Artamonov

Vitaly Efanov

Vladimir Kudashev

Evgeny Stavinsky

Andrey Fetisov

Alexey Tikhomirov

Zaretsky

Sergey Tarasov

Dmitry Orlov

Mikhail Pervushin

Triquet

Veniamin Egorov

Maxim Ostroukhov

Alexander Skvarko

Georgy Faradzhev

Anton Bochkaryov

Alexander Tyupa

Vasily Gurylev

Stage director

Sergey Artsibashev

Conductor

Anatoly Gus

Andrey Lebedev

Evgeny Samoilov

Lighting designer

Sergey Makryashin

Costume designer

Eleonora Maklakova

Set designer

Sergei Barkhin

Chorus master

Natalya Popovich

Maria Chekrkchieva

Novaya Opera

Yevgeny Onegin -  (Eugene Onegin)

Moscow

Russia

Novaya Opera Theatre

Yevgeny Onegin Tchaikovsky,P

Public

Approved

Bogdan Volkov. Lensky's aria from the opera "Eugene Onegin" by P.I. Tchaikovsky

Staged in 1996, Tchaikovsky’s opera Eugene Onegin in Evgeny Kolobov’s interpretation is a classical manifestation of and the ultimate in the author’s theatre, which the Novaya Opera was in the lifetime of its founding father. Kolobov engaged a remarkable creative team to work on the project. It was the conductor that became the chief invisible director of the production, defining its focal points and drama orientation.

Evgeny Kolobov:“Eugene Onegin is virtually a tragedy. Anyway, that’s how I hear this opera, how I feel it. This is why, for me, this opera is a Duel, with the capital “D”, between Onegin and Lensky, Lensky and Olga, Onegin and Tatyana, Tatyana and Gremin. It is no coincidence that in the first version of the Tchaikovsky opera, the last words of the protagonist were: “O death, I’m looking forward to you!”, and with these words I finish my production.” In addition, in Kolobov’s version the final words are followed by the music of the fifth, “duel” scene (excerpts from the introduction and the theme of Lensky’s last aria). 

Evgeny Kolobov about the production. 

“I can’t understand how it could be possible to make a Russian tall tale from this opera, to make jam, when Life is being murdered…”

“…When Gremin sings his aria, he is not alone; all the chorus is there and all the generals sing one of the stanzas instead of him and as if together with him. Because this is a tragic aria, and not what is usually sung: “All men surrender to Love's power” (meaning that I’m quite a man, I can love - such a self-conceited, youthy man’s man). But this is a tragic aria - why have I fallen in love with this girl? He is a man who has gone through the war and has lived a long life; he understands that she doesn’t love him! She is faithful to him, but she doesn’t love him! This is the tragedy that “all men surrender to” — that’s the point! This is a heart cry, not boasting!“

‘”No one understands me” — this is what the production is about …’

The production was awarded the Golden Mask national theatrical prize as the best musical performance of the 1996/97 season

English

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