Name: Yevgeny Onegin
Start: 2015-12-19T00:00:00.000Z
End: 2016-01-07T00:00:00.000Z
Location: Royal Opera House

Admin

Organization

Chanteur

Baryton

Dmitri Hvorostovsky

Eugène Onéguine

Soprano

Nicole Car

Tatiana

Contralto

Oksana Volkova

Olga

Basse

Ferruccio Furlanetto

Prince Grémine

Brindley Sherratt

Mezzo-soprano

Diana Montague

Madame Larine

Catherine Wyn-Rogers

Filippievna

Ténor

Jean-Paul Fouchécourt

Monsieur Triquet

David Shipley

Un Capitaine

James Platt

Zaretski

Direction d'orchestre

Semyon Bychkov

Mise en scène

Kasper Holten

Costumes

Katrina Lindsay

Décors

Mia Stensgaard

Michael Fabiano

Vladimir Lenski

Royal Opera House

russe

Yevgeny Onegin -  (Eugène Onéguine)

Londres

Royaume-Uni

anglais

Valide

Accordionist

Instrument

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Acteur

Autre

Chefdirigent Musiktheater

Choeur

Chorus Director

Chorégraphie

Coach vocal

Coiffure

Compositeur

Danse

Diffusion

Direction de choeur

Dramaturgie

En charge de la production

Extra

Illustrator

Livret

Lumières

Maquillage

Orchestra Operations

Orchestre

Photographer

Poet

Prof

Répétiteur

Stage Manager

Traduction

Video

Wig & Makeup Designer

Writer

Writing and performance

Baryton-basse

Contre-ténor

Alto

Rôle muet

Rôle parlant

Voix d'enfant

Acclaimed Russian conductor Semyon Bychkov discusses his approach to the characters of Tchaikovsky's great opera Eugene Onegin, refined over his decades-long relationship with what he calls one of his 'first operatic loves'. Find out more at http://www.roh.org.uk/eugeneonegin


Pyotr Il’yich Tchaikovsky’s best-loved opera, Eugene Onegin, is based on Alexander Pushkin’s verse novel of the same name. It provided Tchaikovsky with an opportunity to present everyday and authentic experiences on the stage, in contrast to the epic narratives that characterized much European opera of the time. After initial consternation that Tchaikovsky should set to music this pinnacle of Russian literature, Eugene Onegin quickly became a firm favourite with Russian audiences. Within a decade of its 1879 premiere it had been performed over one hundred times in St Petersburg.

Tchaikovsky’s deep sympathy for his heroine Tatyana is shown in the tenderness of her music. Her yearning string motif opens the opera and it gains full expression in her letter aria in Act I – one of the most intense solo scenes ever written for the soprano voice. In Kasper Holten’s production, the turbulence of Tatyana and Onegin’s youth is contrasted with the self-realization they gain in later life. The staging foregrounds the power of memory and the futile desire to rewrite the past.

Conductor Semyon Bychkov on Eugene Onegin (The Royal Opera)

Eugène Onéguine by Tchaikovsky, P. I., sam. 02 janv. 2016, Du (2015/2016), Dirigé par Kasper Holten,, Chef d'orchestre Semyon Bychkov, Royal Opera House, Londres, Royaume-Uni

Crédits de représentation (Distribution et équipe de production )

Distribution

Équipage

Programme, À Propos & Synopsis

Critiques

Vidéos

Lectures complémentaires

Dates et lieux de représentation

Salles