Crédits de représentation
Performances passées 2012 – Hier
An African Americans Requiem, Various
Fort Worth OperaBaritone (Baryton)
Voir la distribution et l'équipeThe Falling and The Rising, Redler, Z.
Arizona OperaColonel + 1 rôles
Voir la distribution et l'équipeSummer Enchanted Evening Of Opera, Various
Connecticut OperaBaritone (Baryton)
Voir la distribution et l'équipeMadama Butterfly (Madame Butterfly), Puccini
Indianapolis OperaSharpless
Voir la distribution et l'équipePerformances passées en vedette
An African Americans Requiem, Various
Fort Worth OperaBaritone (Baryton)
Voir la distribution et l'équipe
The Falling and The Rising, Redler, Z.
Arizona OperaColonel + 1 rôles
Voir la distribution et l'équipe
Summer Enchanted Evening Of Opera, Various
Connecticut OperaBaritone (Baryton)
Voir la distribution et l'équipe
Biographie
The young dramatic baritone called &ldquostrong and striking” by Opera Today, is currently an artist fellow at The Music Academy of the West. Thomas Cannon has continually gained recognition in technically demanding Bel Canto and Verdian roles, since completing his studies at The Juilliard School. He sang at Carnegie Hall in 2013 as a soloist in Verdi’s Requiem, to benefit victims of Japan’s Earthquake; while preparing Conte di Luna (Il Trovatore) at Arizona Opera. Thomas was in residence with Arizona Opera for the 2012-‘13 season. Opera Today praised his “talent for characterization” in the role of Antonio (Le Nozze di Figaro). He was also seen as Gregorio (Romeo et Juliette) and Sciarrone (Tosca). In addition to Conte di Luna; Thomas left AZO fully prepared with Il Conte (Le Nozze di
