Idalma - Opera by Bernardo Pasquini
Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2008 — Inné
Lakmé, Delibes
National Centre for the Performing ArtsRevival Director
Féach ar an bhfoireann agus an fhoireannA Night at The Opera, Various
Tones Teatro NaturaStage director
Féach ar an bhfoireann agus an fhoireannIdalma, Pasquini, B.
Innsbrucker Festwochen der Alten MusikStage director
Féach ar an bhfoireann agus an fhoireannIdalma, Pasquini, B.
Innsbrucker Festwochen der Alten MusikStage director
Féach ar an bhfoireann agus an fhoireannIntermedi della Pellegrina, Various
Innsbrucker Festwochen der Alten MusikStage director
Féach ar an bhfoireann agus an fhoireannLa finta amante, R.1.61, Paisiello
Giovanni Paisiello FestivalStage director + 1 ról
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Lakmé, Delibes
National Centre for the Performing ArtsRevival Director
Féach ar an bhfoireann agus an fhoireann
A Night at The Opera, Various
Tones Teatro NaturaStage director
Féach ar an bhfoireann agus an fhoireann
Idalma, Pasquini, B.
Innsbrucker Festwochen der Alten MusikStage director
Féach ar an bhfoireann agus an fhoireann
La finta amante, R.1.61, Paisiello
Giovanni Paisiello FestivalStage director + 1 ról
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
4Il Labirinto di Creta, Piovani
Fondazione PetruzzelliAssistant Stage Director
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Born in 1984, Alessandra Premoli graduated with distinction at Università degli Studi in Milan in “Theatre, Cinema and Television Sciences” under the supervision of Cesare Lievi and then master graduated with distinction at IUAV University in Venice in “Theatre Sciences and Techniques”, studying with renowned professional figures, such as Margherita Palli and Vera Marzot. In 2008, after winning a IUAV university contest to partecipate at the creation and new production of La Virtù de’ strali d’amore by F. Cavalli , under the tutoring of Davide Livermore at Teatro La Fenice of Venezia, she soon started working for him as director assistant in many world-famous opera theatres and opera festivals (between them some of the most important are La Scala' season premiere Attila by G. Verdi
