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Costumes (+2)

Costumes, Décors, Video

Antonia Ford Roberts

Costumes

Décors

Video

Artist

Approved

2014

2013

Individual contributor id

include virtual contributors

Piano

Instrumentalist

Violinist

Cellist

Violist

Flûtiste

Clarinetist

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Compositeur

Direction d'orchestre

Mise en scène

Livret

Chorégraphie

Lumières

Danse

Acteur

Direction de choeur

Dramaturgie

Traduction

Répétiteur

Maquillage

En charge de la production

Coiffure

Autre

Stage Manager

Choeur

Orchestre

Poet

Coach vocal

Prof

Photographer

Diffusion

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Baryton-basse

Singer

Soprano

Baryton

Contre-ténor

Contralto

Ténor

Mezzo-soprano

Basse

Parlé

Voix d'enfant

Rôle muet

Alto

Lucid Dreaming

Le Roi malgré lui Chabrier

The costumes by Antonia Ford-Roberts, including those trees, play a vital role in the drama. Jones is dressed in the ersatz, paramilitary trappings of a general. Again,  it is the familiar imagery of Third World oppressors. But in the jungle signifiers of rank smother and stifle him. In a fit of frustration and rage he throws off what has become a "strait jacket." He pulls off the boots that pinch and hurt his feet...

John Douglas Thompson Riveting in The Emperor Jones

O'Reilly's staging is mindblowing...The crafts team O'Reilly has assembled to create this eerie Jungian landscape is extraordinary. The extraordinary puppets and the actors who inhabit them, as well as the costumes, atmospheric music and lighting are not just co-stars, but could easily upstage a lesser actor than Thompson.

The Emperor Jones, A Curtain Up Review

Let's just get the superlatives out of the way. "Sarah Ruhl's Passion Play" is the most exciting, stimulating, and thrilling piece of theater to hit New York since "Angels in America."

Sarah Ruhl's Passion Play

The design team all deserve mention—from Allen Moyer and Warren Kapp’s portable, crafty crate-based scenery, to Gabriel Berry and Antonia Ford-Roberts’s pitch-perfect costumes, to David Weiner’s dazzling use of mood lighting—and also to the relatively small Epic Theatre Ensemble for taking on this mammoth, undeniably challenging piece. Faith or no faith, whatever denomination you wish to call yourself, Passion Play more than lives up to its title.

Sarah Ruhl’s Passion Play at the Irondale Center

Set in a fluid, shadowy dreamscape, through which Mr. Thompson moves like a thrashing sleeper in a nightmare, this “Emperor” digs into recesses of the every-mind, setting off Jungian echoes of universal resonance in a work often perceived as a dated portrait of the black man’s burden.... Every aspect of design -- Charlie Corcoran’s set and Antonia Ford-Roberts’s costumes, Brian Nason’s transfiguring lighting and Mr. Flanagan’s living puppets feeds into a complete vision of interior doubts erupting into a dominating external life.

Absolutely Corrupt - "The Emperor Jones" NY Times Theater Review

"Antonia Ford-Roberts' costumes are perfect for the period"

A Sensual Production of Chekhov's The Seagull

Ciarán O’Reilly directs the 75-minute piece, surely one of the finest productions ever mounted by the Irish Repertory Theatre, with a tension that never lets up....The use of surreal costumes (Antonia Ford-Roberts), puppets and masks (Bob Flanagan) to evoke the spirits in the forest scenes is tremendously effective.

The Emperor Jones (Soho Playhouse)

Charlie Corcoran's set, Antonia Ford-Roberts's costumes and Bob Flanagan's magnificent puppets and masks give a stunningly unique meaning to the term expressionism. With Ryan Rumery and Christian Frederickson's original music and sound design they exquisitely capture the increasing terror Jones feels as he realizes he is lost and doomed in the jungle.

Antonia Ford Roberts

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