Recenzii de producție anterioare
2The work formed the first part of a double evening with which the Würzburg Mainfranken Theater started its new season. Because the main building in the city center is still being renovated, one is currently playing a little outside, in the Blaue Halle theater factory, which a local thermal box company, which has been particularly flourishing since the outbreak of the pandemic, is making available to the theater. Of course, there is no stage machinery there, but the orchestra pit and the uniform stage design, which in this production is dominated by a large wall painting with Cupid and Lustknaben in a kitschy baroque style, have a considerable width (design: Pascal Seibicke ).
“Margrethe Fredheim ist eine hervorragende Fiordiligi,der die von Sopranistinnen gefürchtete, mit Koloraturen und anderen Schwierigkeiten gespickte Arie Come Scoglio geradezu mühelos gelingt. Aber auch ihrer anderen grossen Arie Per Pieta wird sie gerecht und findet eine Gefühlstiefe von berückender Innigkeit.”
