Carla Caramujo (Condessa di Foleville), ganadora del concurso nacional de Canto Luísa Todi, construyó un personaje entranãble con una perfecta afinación y proyección vocal.
The stillness of the chorus’ first entry, impeccably tuned, and anchored by wonderfully resonant basses in the sepulchral depths, with Caramujo adding a radiant halo over the sound in her delectably silky soprano, with beguiling clarity of tone and evenness of emission.
Ópera ‘Orphée’ em cartaz no Theatro Municipal do Rio
Beside her stood the voices of Carla Caramujo and Cátia Moreso and the excellent baritone Peter Bording. Caramujo, Moreso and Bording were impeccable not only in their voices (highlighting some delicious little vocal trios), but also in the rigorous theatrical design that was proposed to them, in a scenario that privileges the construction of strong and well-designed images, but which leaves some space for the singers / actors to play. (translated from the Portuguese original)