Crédits de représentation
Performances passées 2019 – Hier
A Knee on the Neck, PärtVaughan WilliamsHailstork
The New York Choral SocietyMezzo-soprano
Voir le programme, les acteurs et l'équipeBeethoven’s Missa solemnis, Beethoven
Fisher Center at BardMezzo-soprano
Voir la distribution et l'équipeAmerica Sings Concert 1, Various
Opera SaratogaMezzo-soprano (Mezzo-Soprano)
Voir la distribution et l'équipeIdomeneo (Idoménée), Mozart
The Metropolitan OperaSeconda cretese (Deuxième Crétoise)
Voir la distribution et l'équipe2022 Summer Recital, Various
The Metropolitan OperaMezzo-soprano (Mezzo-Soprano)
Voir la distribution et l'équipePerformances passées en vedette
A Knee on the Neck, PärtVaughan WilliamsHailstork
The New York Choral SocietyMezzo-soprano
Voir le programme, les acteurs et l'équipe
Beethoven’s Missa solemnis, Beethoven
Fisher Center at BardMezzo-soprano
Voir la distribution et l'équipe
America Sings Concert 1, Various
Opera SaratogaMezzo-soprano (Mezzo-Soprano)
Voir la distribution et l'équipe
Idomeneo (Idoménée), Mozart
The Metropolitan OperaSeconda cretese (Deuxième Crétoise)
Voir la distribution et l'équipe
Biographie
Cierra Byrd, American mezzo-soprano is now a new graduate of the Lindemann Young Artist Development Program at the Metropolitan Opera. During the 2021–22 season, she made her Met debut as Bertha in Terence Blanchard’s Fire Shut Up in My Bones. This past season she sang a Woman of Crete in Idomeneo and Sister Mathilde in Dialogues des Carmélites at the Met, and made her role and company debut as Fatima in Rhiannon Giddens and Michael Abels’ new opera, Omar, at Boston Lyric Opera. On the concert stage Ms.Byrd appeared as a featured soloist in Adolphus Hailstork’s A Knee on the Neck with New York Choral Society, and as Medoro and Alcina in a concert production of Furiosus, a new opera in two acts in collaboration with New York University’s Casa Italiana under the baton of Robert Tweeten. Ms
