Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2011 — Inné
Guillaume Tell (William Tell), Rossini
NOF - Nouvel Opéra Fribourg - Neue Oper FreiburgHedwige (Hedwig)
Féach ar an bhfoireann agus an fhoireann-
Der Rosenkavalier (The Knight of the Rose), Strauss
De Nationale OperaAnnina
Féach ar an bhfoireann agus an fhoireannVU-Orchestra plays Mahler's Symphony No. 2, Mahler
Het ConcertgebouwMezzo-soprano (Mezzo-Soprano)
Féach ar an bhfoireann agus an fhoireannKönigskinder (The King's Children), Humperdinck
De Nationale OperaDie Stallmagd
Féach ar an bhfoireann agus an fhoireannA Midsummer Night's Dream, Britten
Opera ZuidHyppolyta (Hippolyta)
Féach ar an bhfoireann agus an fhoireannDie Frau ohne Schatten (The Woman without a Shadow), Strauss
Eine Stimme von oben (A voice from above)
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Guillaume Tell (William Tell), Rossini
NOF - Nouvel Opéra Fribourg - Neue Oper FreiburgHedwige (Hedwig)
Féach ar an bhfoireann agus an fhoireann-
Der Rosenkavalier (The Knight of the Rose), Strauss
De Nationale OperaAnnina
Féach ar an bhfoireann agus an fhoireann
Königskinder (The King's Children), Humperdinck
De Nationale OperaDie Stallmagd
Féach ar an bhfoireann agus an fhoireann
A Midsummer Night's Dream, Britten
Opera ZuidHyppolyta (Hippolyta)
Féach ar an bhfoireann agus an fhoireann
Elektra (Electra), Strauss
Palau de les Arts Reina SofiaErste Magd (First maid)
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
18Il Trittico, Puccini
Dutch National Opera & BalletLa Maestra delle Novizie (The Mistress of the novices)
Féach ar an gclár, an fhoireann agus an fhoireannRigoletto, Verdi
Dutch National Opera & BalletGiovanna
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
Praised for her special ‘ability to express the moods hidden in the music – from sadness to exuberance’, mezzosoprano/contralto Eva Kroon in recent years has come to the forefront of the Dutch music scene as a singer of choice for roles for the lower female voice, steering, for instance, the third act of Offenbach’s Les contes d’Hoffmann ‘to a seldom heard highlight’ (Theaterkrant). Eva Kroon studied both piano and voice at the conservatories of Utrecht and The Hague, and gained her master in Opera Singing at Dutch National Opera Academy. Early roles include Second Lady (The Magic Flute), Gluck’s Orfeo and Purcell’s Dido. She followed workshops in Berlin and at Dutch National Opera (French repertoire, with Jean-Philippe Lafont and Leontina Vaduva). From 2012-2017 she was coached by Abbie F
