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2One of its tuneful glories, we would like to point out, is the lovely ode for soprano that opens Act III, “Ó Lua redonda” (“O Moon so round”), done in the form of an “invocation to the moon”; in style and in substance, it brought to mind an earlier set-piece, the “Song to the Moon,” from the late Romantic-period opera Rusalka, written by another, better-known European nationalist, Czech composer Antonín Dvořák. You can judge for yourself how thoroughly delightful this number is — when heard in its proper theatrical context, of course — in the following YouTube excerpt from the 2009 Palácio das Artes production. The titular “Girl from the Clouds” is exquisitely sung by Gabriella Pace, winner of the 2010 Carlos Gomes Competition; the bug-eyed Soldier in the Queen’s Guard uniform is humorously played by tenor Flávio Leite, and the Westerly Wind is voiced by bass Homero Velho: http://www.youtube.com/watch?v=Y5CJ81bkMAQ.
The plot is quite complicated but the main characters, Susanna (Hanna Sosnowska-Bill) and Figaro (Krzysztof Baczyk) lead the story perfectly. She is fresh, light, playful, has a kind of youthful energy that fills the room. And she sings like an angel. Her fiancé is powerful, a bit ruthless, ready to achieve his goal at any cost. The goal is to love, and who would object to that. Among the main characters there is also Count Almaviva (Lukas Barack), his wife (Gabriella Pace), Cherubino (lively played by Aleksandra Opala), Marcelina (Barbara Baginska), Bartolo (the great Dariusz Machej), last but not least, vital and surprisingly fun Aleksander Zuchowicz as Basilio.
