Nadchodzące występy Od dziś
Poprzednie występy 2018 — Wczoraj
Beethoven’s Fidelio with Dudamel and Deaf West Theatre, Beethoven
LA PhilMarzelline (Marcelina)
Zobacz obsadę i ekipęCavalleria rusticana (Rycerskość wieśniacza), Mascagni
Pagliacci (Pajace), Leoncavallo
Lyric Opera of Kansas CityNedda
Zobacz program, obsadę i ekipęA Knee on the Neck, PärtVaughan WilliamsHailstork
The New York Choral SocietySoprano
Zobacz program, obsadę i ekipęBeethoven’s Fidelio with Dudamel and Deaf West Theatre, Beethoven
LA PhilMarzelline (Marcelina)
Zobacz obsadę i ekipęCavalleria rusticana (Rycerskość wieśniacza), Mascagni
Pagliacci (Pajace), Leoncavallo
Lyric Opera of Kansas CityNedda
Zobacz program, obsadę i ekipęFidelio, Beethoven
Gran Teatre del LiceuMarzelline (Marcelina)
Zobacz obsadę i ekipęFidelio, Beethoven
LA PhilMarzelline (Marcelina)
Zobacz obsadę i ekipęAinadamar, Golijov
The Metropolitan OperaMargarita Xirgu
Zobacz obsadę i ekipęśr19:00
Nowy Jork, Stany ZjednoczoneLa Bohème (Cyganeria), Puccini
The Metropolitan OperaMimì
Zobacz obsadę i ekipęsob12:30
Nowy Jork, Stany ZjednoczoneLa Bohème (Cyganeria), Puccini
Lyric Opera of ChicagoMusetta
Zobacz obsadę i ekipęsob19:30
Chicago, Stany Zjednoczoneśr14:00
Chicago, Stany Zjednoczonesob19:30
Chicago, Stany Zjednoczonewt19:00
Chicago, Stany Zjednoczonept19:00
Chicago, Stany ZjednoczoneWith a voice described as “firm” and “lusciously coloured” by Opera News and chosen as one of WQXR’s ’20 for 20′ Artists to Watch, soprano Gabriella Reyes is a rising star on the operatic stage. Currently in her final year of the Metropolitan Opera’s Lindemann Young Artist Development Program, Gabriella will appear with the company this season as Liù Turandot and First Lady The Magic Flute. Other highlights include Cio-Cio San Seven Deaths of Maria Callas with the Bayerische Staatsoper, Munich, and Behzad Ranjbaran’s Songs of Eternity with the Montclair Orchestra and David Chan. Highlights of last season include Nella Gianna Schicchi and the High Priestess Aida for the Metropolitan Opera, the latter of which was described as “hair-raising” by the New York Classical Review. Gabriella also