Creidmheasanna feidhmíochta
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2013 — Inné
Madama Butterfly (Madame Butterfly), Puccini
Opera BohemiaStage director
Féach ar an bhfoireann agus an fhoireannMadama Butterfly (Madame Butterfly), Puccini
Opera BohemiaStage director
Féach ar an bhfoireann agus an fhoireannHänsel und Gretel (Hansel and Gretel), Humperdinck
Opera Holland ParkStage director
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte zweiter Teil (The Magic Flute Part Two), Mozart
Festival OperaStage director
Féach ar an bhfoireann agus an fhoireannLéirithe san am atá caite
Madama Butterfly (Madame Butterfly), Puccini
Opera BohemiaStage director
Féach ar an bhfoireann agus an fhoireann
Madama Butterfly (Madame Butterfly), Puccini
Opera BohemiaStage director
Féach ar an bhfoireann agus an fhoireann
Hänsel und Gretel (Hansel and Gretel), Humperdinck
Opera Holland ParkStage director
Féach ar an bhfoireann agus an fhoireann
Die Zauberflöte zweiter Teil (The Magic Flute Part Two), Mozart
Festival OperaStage director
Féach ar an bhfoireann agus an fhoireannLéirithe le Teacht
13Il segrto di Susanna/ Pagliacci, Wolf-FerrariLeoncavallo
Opera Holland ParkStage director
Féach ar an gclár, an fhoireann agus an fhoireannIl barbiere di Siviglia (The Barber of Seville), Rossini
Waterperry Opera FestivalStage director
Féach ar an bhfoireann agus an fhoireann
Beathaisnéis
John Leo Wilkie, from Scotland, is a director of opera and theatre. Now based in London, John has directed new productions for companies such as New Zealand Festival Opera (La traviata, 2019; Cavalleria rusticana/Pagliacci, 2020), Opera Holland Park (Il segreto di Susanna, 2019; The Bear, 2021), Danish National Opera (La Cenerentola, 2016), Classical Opera (Bauci e Filemone / Orfeo, 2019), Wiltons Music Hall (Die Fledermaus, 2018), and Popup Opera (La tragédie de Carmen, 2018). His production of Il segreto di Susanna for Opera Holland Park was described by The Spectator as being "So perfect, so spirited, so loving... it's probably never had a UK production more affectionate than John Wilkie's new staging". It was nominated for Best Production at The International Opera Awards 2021, and T
