Joseba Pinela

Artist

Approved

2020

2015

2014

Individual contributor id

include virtual contributors

Pianista

Instrumentalist

Violinist

Cellist

Violist

Flutist

Clarinetist

Percussionist

Guitarist

hornist

Organist

Oboist

Bassoonist

Trumpeter

Contrabassist

Trombonist

Harp player

Saxophonist

Harpsichordist

Accordionist

Bassist

Tuba Player

Recorder Player

Lutenist

Tenor Violinist

Timpani

Mandoline Player

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Violino Piccolo Player

Viola da Gambist

Musette de cour Player

Viola Pomposa Player

Archlutenist

Basso Continuo

Vibraphonist

Theorbist

Cornettist

Viola d’amore Player

Synthesist

Kompozytor / -ka

Dyrygent

Reżyseria

Libretto

Scenografia

Kostiumy

Choreografia

Reżyseria światła

Taniec

Aktor

Przygotowanie chóru

Wideo

Dramaturgia

Tłumaczenie

Realizacja dźwięku

Korepetytor /- ka

Makijaż

Produkcja wykonawcza

Fryzjer

Other

Stage Manager

Chór

Orkiestra

Poet

Vocal coach

Teacher

Photographer

Broadcasting

Wig & Makeup Designer

Illustrator

Writer

Writing and performance

Chorus Director

Orchestra Operations

Extra

Kontralt

Singer

Sopran

Kontratenor

Baryton

Mezzosopran

Bas - baryton

Tenor

Spoken

Głos dziecięcy

Silent

Alto

Sainete lírico en dos actosMúsica de PABLO SOROZÁBALLibreto de Francisco Ramos de Castro y Anselmo Cuadrado CarreñoProducción del Teatro de la Zarzuela (1990...

La Del Manojo de Rosas Sorozábal

LA DEL MANOJO DE ROSAS Lyrical sainete in two acts Music by PABLO SOROZÁBAL Libretto by Francisco Ramos de Castro and Anselmo Cuadrado Carreño Production of the Teatro de la Zarzuela (1990) La del Manojo de Rosas, the most emblematic and popular production of the Teatro de la Zarzuela , turns 30. At its premiere, in September 1990, it was very well received by the public and critics, and has continued to do so for three decades. Several generations of singers, artists, technicians and the public have participated in or enjoyed what is now Pablo Sorozábal's best-known title and the one that he has linked in a special way with this venue. His stage director, Emilio Sagi, has produced one of the best works of his long and fruitful career. In all these years he has taken the production to other eleven stages in the country —Valencia, Málaga, Oviedo, Bilbao, Santander, Barcelona, ​​Seville, San Sebastián, Valladolid, Santiago de Compostela, Pamplona—, as well as two other European capitals —Rome and Paris—, and has always been successful with the public and critics alike. November 10, 11, 12, 13, 14, 15, 17, 18, 19, 20, 21 and 22, 2020
20:00hours (Sundays at18:00hours) Musical direction Guillermo García Calvo Stage direction Emilio Sagi Scenography Gerardo Trotti Costumes Pepa Ojanguren Lighting Eduardo Bravo Choreography Goyo Montero Choreography replacement Nuria Castejón Musical direction assistant Santiago Serrate Cast Ascension Ruth Iniesta (days 10, 12, 14, 18, 20 and 22) / Raquel Lojendio (days 11, 13, 15, 17, 19 and 21); Joaquín Carlos Álvarez (days 10, 12, 14, 18, 20 and 22) / Gabriel Bermúdez days 11, 13, 15, 17, 19 and 21); Ricardo Vicenc Esteve; Capó David Pérez Bayona (days 10, 12, 14, 18, 20 and 22) / Joselu López (days 11, 13, 15, 17, 19 and 21); Clarita Sylvia Parejo (days 10, 12, 14, 18, 20 and 22) / Nuria Pérez (days 11, 13, 15, 17, 19 and 21); Espasa Angel Ruiz; Doña Mariana Milagros Martín; Don Daniel Enrique Baquerizo; Don Pedro Cesar Sanchez; The English Eduardo Carranza.

Joseba Pinela

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