Tulevased etendused Tänasest Edasi
Varasemad etendused 2020 – eile
Orpheus in der Unterwelt, Offenbach
Deutsche Oper am RheinMercure (Mercury)
Vaadake näitlejaid ja meeskondaLes contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Ulm TheaterAndres (Andrès) + 3 rolli
Vaadake näitlejaid ja meeskondaCavalleria Rusticana / Pagliacci, MascagniLeoncavallo
Ulm TheaterPeppe
Vaadake programmi, näitlejaid ja meeskondaLa légende de Tristan (The Legend of Tristan), Tournemire
Ulm TheaterLe nain Frocin
Vaadake näitlejaid ja meeskonda-
Orpheus in der Unterwelt, Offenbach
Deutsche Oper am RheinMercure (Mercury)
Vaadake näitlejaid ja meeskondaLes contes d'Hoffmann (The Tales of Hoffmann), Offenbach
Ulm TheaterAndres (Andrès) + 3 rolli
Vaadake näitlejaid ja meeskondaCavalleria Rusticana / Pagliacci, MascagniLeoncavallo
Ulm TheaterPeppe
Vaadake programmi, näitlejaid ja meeskondaLa légende de Tristan (The Legend of Tristan), Tournemire
Ulm TheaterLe nain Frocin
Vaadake näitlejaid ja meeskonda-
Anna Bolena (Anne Boleyn), Donizetti
Ulm TheaterRiccardo Percy (Richard Percy)
Vaadake näitlejaid ja meeskondaParsifal, Wagner, Richard
Ulm TheaterDritter Knappe (Third squire)
Vaadake näitlejaid ja meeskondaLessons in Love and Violence, Benjamin
Ulm TheaterBoy + 1 rolli
Vaadake näitlejaid ja meeskondaIrish and English tenor Joshua Spink is quickly becoming known for his pleasing tone, his comfortable high register and his impressive acting ability on stage. As of the 2020/2021 season, Joshua is a member of the solo ensemble at Theater Ulm. Roles there this season include debúts as Count Almaviva from Rossini's Il barbiere di Siviglia and Vánja from Janáček's Katya Kabanowa as well as Monostatos in a concert performance of Mozart's Die Zauberflöte. Joshua grew up in Ireland and read Spanish and music in University College Cork before completing his Masters in Music in the DIT Conservatory of Music and Drama in Dublin with teachers Stephen Wallace and Sylvia O’Regan and répétiteur Mary Scarlett. During his time there he played the role of the First Elder in Handel’s staged oratorio