Léirithe san am a chuaigh thart 2005 — Inné
Le nozze di Figaro (The Marriage of Figaro), Mozart
Opéra des LandesLa Contessa di Almaviva (The Countess of Almaviva)
Féach ar an bhfoireann agus an fhoireannCarmen, Bizet
Opéra Orchestre National de MontpellierFrasquita
Féach ar an bhfoireann agus an fhoireannRequiem, K. 626 (Requiem), Mozart
Opéra de Saint-ÉtienneSopran (Soprano)
Féach ar an bhfoireann agus an fhoireannIl tabarro (The Cloak), Puccini
Opéra Orchestre National de MontpellierUna amante (A female lover)
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Opéra des LandesLa Contessa di Almaviva (The Countess of Almaviva)
Féach ar an bhfoireann agus an fhoireannParsifal, Wagner, Richard
Teatro Real de MadridSechs Blumenmädchen
Féach ar an bhfoireann agus an fhoireannConcert D’ouverture Du Chœur De L’orchestre De Paris, Orff
Cité de la Musique-PhilharmonieSopran (Soprano)
Féach ar an bhfoireann agus an fhoireannLe nozze di Figaro (The Marriage of Figaro), Mozart
Teatro Real de MadridBarbarina
Féach ar an bhfoireann agus an fhoireannAfter studying at the Conservatory in St. Petersburg, Russia, Khatouna Gadelia was admitted to the Conservatoire de Paris in 2001 where she received her Diploma wih Highest Honours. She began her career at Besançon in the operas Le Balcon by Peter Eötvös and Benjamin Britten's The Little Chimney Sweep. Her concert de but was at the Paris Cité de la Musique singing Passion selon Saint Jean under the direction of Kurt Masur. In the early years of her career Khatouna Gadelia, thanks to the peculiarities of her voice, she had the opportunity to interpret roles with different characteristics. Over the years, following a constant process of maturation and studies parallel to her career with master Rolando Nicolosi, soprano Sylvie Valayre, they lead Khatouna Gadelia to evolve into a lyrical re