Bass

Kristóf Koczor

Sångare

Artist

Approved

2015

2013

Individual contributor id

include virtual contributors

Accordionist

Instrumentalist

Archlutenist

Baroque Flutist

Baroque Oboist

Baroque Trumpetist

Bassist

Bassoonist

Cellist

Clarinetist

Continuo

Contrabassist

Cornettist

Flutist

Guitarist

Harper

Harpsichordist

Hornist

Lutenist

Mandoline Player

Musette de cour Player

Oboist

Organist

Percussionist

Pianist

Recorder Player

Saxophonist

Tenor Violinist

Timpani

Trombonist

Trumpeter

Tuba Player

Vibraphonist

Viola Pomposa Player

Viola da Gambist

Viola d’amore Player

Violinist

Violino Piccolo Player

Violist

Broadcasting

Chefdirigent Musiktheater

Chorus Director

Dansare

Dirigent

Dramaturg

Exekutiv producent

Extra

Hårstylist

Illustrator

Kompositör

Koreograf

Kostym designer

Kör

Körledare

Librettist

Ljud designer

Ljus designer

Orchestra Operations

Orkester

Other

Photographer

Poet

Regissör

Repetitör

Scenograf

Skådespelare

Sminkartist

Stage Manager

Teacher

Tolk

Video designer

Vocal coach

Wig & Makeup Designer

Writer

Writing and performance

Contralto

Soprano

Bass-baritone

Baritone

Mezzo-soprano

Countertenor

Tenor

Alto

Child vocalist

Silent

Spoken

The French playwright Victorien Sardou Tosca.  she wrote her drama for the contemporary star of the Parisian stage, Sarah Bernhardt, and her unparalleled success is characterized by the fact that the artist has played the title role more than three thousand times in France alone.  Giacomo Puccini (1858–1924), after seeing the piece twice, wrote a letter to his publisher, Giulio Ricord, to obtain Sardou's permission to make music because "he longs for this textbook."

 The background of the plot is a real historical situation, some of the main characters are specific historical figures.  Napoleon expelled the Austrians from the northern half of Italy in 1796-97, and, under French pressure and example, the Roman Republic was proclaimed on February 15, 1798, headed by Napoleon himself, who appointed a governing body of seven consuls.  The first actor in the opera, Angelotti, was one of the consuls.  In September 1799, the puppet state was overthrown by the forces of Naples, Austria and Russia, and the former consul became a valuable prisoner for the Bourbon Restoration.  During Napoleon's new campaign to reclaim the lost territories, on June 14, 1800, exactly the day of the battle of Marengo, which was the turning point and the eventual victory for the French, the play of the three protagonists, Tosca, the celebrated singer, Cavaradossi, the Republican painter and Baron Scarpia, the cruel police chief of Rome - a battle of politics and love.  Opera researcher Julien Budden says Tosca is “the triumph of pure theater”.  Critic Charles Osborne explains the popularity of the opera - in addition to the two hit arias: Vissi d’arte and E lucevan le stelle - by saying that the act offers great opportunities for the three protagonists to excel not only as singers but also as actors.

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