Profiili ülevaated
8Der dritte in diesem guten Bunde ist der Ungar Krisztián Cser als Wanderer, der mit enormer Ruhe, Souveränität und gar Noblesse die Bühne betritt und erstmals für einige ruhige Momente sorgt, in denen nachhaltig zu weltbewegenden Fragen reflektiert wird, symbolisiert durch eine als riesengroßer Ball gestaltete Weltkugel. Die Wissenswette mit ihrem fatalen Ausgang für Mime wird so zu einem kleinen Kunststück! Csers perfekt geführter Heldenbariton adelt die Figur des Wanderers ungemein, eine optimale Besetzung, die Kartaloff aus Ungarn einlud! ***** The third in this fine company is the Hungarian Krisztián Cser as the Wanderer, who enters the stage with immense calm, sovereignty, and even nobility, providing for the first time some moments of quiet in which the world-shaping questions are reflectively pondered, symbolized by a globe designed as a huge ball. The knowledge wager with its fatal outcome for Mime turns into a small masterpiece! Cser's perfectly led heroic baritone ennobles the character of the Wanderer immensely, an optimal casting invited by Kartaloff from Hungary!
Aún más interesante fue Krisztián Cser, dueño de un material sonoro y extenso, con unos graves imponentes, en el papel del Conde Palatino, intrigante, manipulador, codicioso, que al final descarga el último y definitivo golpe con la espada a László Hunyadi, que ha superado los tres primeros del verdugo. Cser cantó su gran aria del tercer acto en el patio de butacas mientras arrojaba monedas al aire, símbolo de su avidez. ***** Even more interesting was Krisztián Cser, owner of a sonorous and extensive material, with impressive bass, in the role of the Palatine Gara, intriguing, manipulative, greedy, who ultimately delivers the last and definitive blow with the sword to László Hunyadi, who has overcome the first three from the executioner. Cser sang his grand aria from the third act in the auditorium while tossing coins into the air, a symbol of his greed.
Varasemate toodangu ülevaated
8Cser Krisztián egyre otthonosabban játszotta el Fiescót, és minden bizonnyal még alakulni fog a figura a maradék négy estén. Mindhárom alkalommal a hangjánál volt, és a közönség ezt nagyon is értékelte....Elmondható, hogy ennél nehezen sikerülhetett volna jobban a debütálása ebben az álomszerepben, Domingo közvetlen partnereként kirobbanó formában énekelt. ***** Krisztián Cser became increasingly comfortable in his portrayal of Fiesco, and it's certain that the character will continue to evolve over the remaining four nights. On all three occasions, he was vocally present, and the audience greatly appreciated this... It can be said that his debut in this dream role, performing alongside Domingo in explosive form, could hardly have been more successful.
Cser Krisztián ... ezzel a sorozattal debütált itthon is a Rajna Wotanjaként (ez számára már a negyedik produkció volt), illetve – mint tavaly - ő lehetett a Siegfried Vándora is. ... Hangjának különleges szépsége és volumene már most is tiszteletet parancsol, elfogadtatja velünk a főisten viselt dolgait ***** Krisztián Cser ... made his domestic debut as Wotan in the Rhine (this was his fourth production), and - as last year - he could have been the Wanderer in Siegfried as well. ... The special beauty and volume of his voice command respect already, making us accept the tribulations of the chief god.
Krisztián Cser, der ihr gegenüber auf einem Podest auf der rechten Seite im Orchester steht, punktet als Blaubart mit markanten Tiefen...Neben den beiden großartigen Solisten kommt dem Orchester die dritte Hauptrolle in der Oper zu. | | Krisztián Cser, who stands opposite her on a podium on the right side in the orchestra, scores as Bluebeard with distinctive depths... Besides the two great soloists, the orchestra takes on the third leading role in the opera.
Más intimista y considerada con los cantantes, El castillo de Barbazul nos permitió disfrutar de las cualidades de una nuevamente inspirada Vizin y de un excelente bajo, el húngaro Krisztián Cser. Frente a una Judit expresiva y seductora, el Barbazul de Cser, impávido en todo momento, se mostró como un ser frío y misterioso. Sin embargo, fue vocalmente sobrecogedor. Cser no sólo asombró por su volumen, sino también por su registro agudo natural, en ningún momento forzado. ***** More intimate and considerate with the singers, Bluebeard's Castle allowed us to enjoy the qualities of a newly inspired Vizin and an excellent bass, the Hungarian Krisztián Cser. Facing an expressive and seductive Judit, Cser's Bluebeard, imperturbable at all times, appeared as a cold and mysterious being. However, he was vocally overwhelming. Cser not only amazed with his volume but also with his natural high register, which at no time seemed forced.
Vocal performances were generally strong, but I have to give pride of place to bass Krisztián Cser as the priest Jorg, who had me sitting bolt upright in my seat from the moment he opened his mouth: it’s a voice with immense power, clarity and tautness of phrasing, which thrilled in every line.
Der Ungar Krisztián Cser sang den Blaubart und schon bei seinen ersten Tönen konnte man nur staunen: was für eine tiefe, volle, aber klare Stimme. Er sang ohne Druck, dafür mit viel Wärme und Offenheit. | | The Hungarian Krisztián Cser sang Bluebeard, and from his very first notes, one could only marvel: what a deep, full, yet clear voice. He sang without pressure, but with a lot of warmth and openness.
The bass Krisztián Cser, is much younger and yet is already an accomplished Bluebeard. His was a melancholy character not willing to reveal much about himself. When Judith forced him to open the doors of his castle, his response to her increasing agitation was to maintain his steady and frightening outward calm. Bluebeard’s recitation about his previous wives, whom he praises as dawn, noon and dusk, was delivered in a whispered soliloquy, more frightening than any violent outbursts in its quiet ferociousness.
Sie funktioniert, weil Bernadett Fodor eine unerwartet ausgreifende Erda-Stimme bietet, aber auch, weil die Chemnitzer einen relativ jungen Wotan eingekauft haben, den 40-jährigen Ungarn Krisztián Cser. Sängerisch ist er kernig und geschmeidig. Darstellerisch ist er eine Wucht: Jugendlich und ungezogen, ein Bruder Leichtfuß, der sich mit Fricka gut versteht, der keineswegs unsympathischen Monika Bohinec, mit der er zur Ouvertüre zu spät ins Theater kommt (grandios, Wotan schläft sofort ein). ***** It works because Bernadett Fodor offers an unexpectedly expansive Erda voice, but also because the people of Chemnitz have bought a relatively young Wotan, the 40-year-old Hungarian Krisztián Cser. Vocally, he is robust and smooth. As an actor, he is a force: Youthful and mischievous, a carefree brother who gets along well with Fricka, the by no means unsympathetic Monika Bohinec, with whom he arrives late to the theater for the overture (marvelous, Wotan falls asleep immediately).
