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Anna Bolena (Anne Boleyn), Donizetti
Musica Viva SingersAnna Bolena (Anne Boleyn)
Se rollebesætning og besætningDie Zauberflöte (The Magic Flute), Mozart
Teatro Regio di TorinoErste Dame (First lady)
Se rollebesætning og besætningIl matrimonio segreto (The Secret Marriage), Cimarosa
Teatro La FeniceCarolina
Se rollebesætning og besætningTrilogia Mozart/Da Ponte, Mozart
Teatro Verdi di SalernoLa Contessa di Almaviva (The Countess of Almaviva)
Se rollebesætning og besætningI Capuleti e i Montecchi (The Capulets and the Montagues), Bellini
Lithuanian National Opera and Ballet TheatreLorenzo
Se rollebesætning og besætningAnna Bolena (Anne Boleyn), Donizetti
Musica Viva SingersAnna Bolena (Anne Boleyn)
Se rollebesætning og besætningIl matrimonio segreto (The Secret Marriage), Cimarosa
Teatro La FeniceCarolina
Se rollebesætning og besætningTrilogia Mozart/Da Ponte, Mozart
Teatro Verdi di SalernoLa Contessa di Almaviva (The Countess of Almaviva)
Se rollebesætning og besætningI Capuleti e i Montecchi (The Capulets and the Montagues), Bellini
Lithuanian National Opera and Ballet TheatreLorenzo
Se rollebesætning og besætningDon Giovanni, Mozart
Teatro La FeniceZerlina
Se rollebesætning og besætningtors.19:00
Venice, Italylør.19:00
Venice, Italytirs.19:00
Venice, Italytors.19:00
Venice, Italylør.15:30
Venice, ItalyIl trittico, Puccini
Teatro Regio di TorinoUna amante (A female lover) + 2 roller
Se program, medvirkende og produktionsholdfre.19:30
Turin, Italysøn.15:00
Turin, Italytirs.19:30
Turin, Italytors.19:30
Turin, Italysøn.15:00
Turin, ItalyCosì fan tutte, Mozart
The italian soprano is highly appreciated for her Mozart’s and belcanto roles beacause of her crisp musicality, personality on the stage and good taste in phrasing. As a very young soloist of La Scala Academy, she had the chance to take part to many operas and concerts with the greatest world’s musicians (Pelléas et Melisande w. G. Prêtre, Tosca w. L Maazel, then R. Muti, Z. Mehta, G. Dudamel). She performed her first role In La Scala at only 13 years old in Janaček’s The Cunning Little Vixen conducted by Sir A. Davis. She graduated in Flute and Operatic Singing, and majored in Languages and Foreign Literatures at the University of Milan, with a Master in Music and Neurosciences. Very young, she sung Flora in Britten’s The Turn of the Screw for AsLiCo and La Fata Azzurra in Respighi’s La B