Forestilling krediteringer
Kommende forestillinger I dag og frem
Tidligere forestillinger 2019 – i går
Il barbiere di Siviglia (The Barber of Seville), Rossini
Penn Square Music FestivalDon Bartolo (Doctor Bartolo)
Se rollebesætning og besætningTosca, Puccini
Chautauqua Opera FestivalUn carceriere (A jailer) + 1 roller
Se rollebesætning og besætningFremhævede tidligere præstationer
Il barbiere di Siviglia (The Barber of Seville), Rossini
Penn Square Music FestivalDon Bartolo (Doctor Bartolo)
Se rollebesætning og besætning
Kommende forestillinger
29La Traviata (La traviata), Verdi
Santa Fe OperaUn commissionario (Commissioner)
Se rollebesætning og besætningfre.20:30
Santa Fe, United Statesons.20:30
Santa Fe, United Stateslør.20:30
Santa Fe, United Statesfre.20:30
Santa Fe, United StatesThe Righteous, Spears
Santa Fe OperaDeacon II + 2 roller
Se rollebesætning og besætninglør.20:30
Santa Fe, United Statesons.20:30
Santa Fe, United StatesLa Traviata (La traviata), Verdi
Santa Fe OperaUn commissionario (Commissioner)
Se rollebesætning og besætningfre.20:30
Santa Fe, United StatesThe Righteous, Spears
Santa Fe OperaDeacon II + 2 roller
Se rollebesætning og besætningfre.20:30
Santa Fe, United Statestirs.20:00
Santa Fe, United StatesLa Traviata (La traviata), Verdi
Santa Fe OperaUn commissionario (Commissioner)
Se rollebesætning og besætningtors.20:00
Santa Fe, United StatesBiografi
Praised for his “luxuriant baritone” (San Diego Story) and “securely produced bass” (Opera Today), Luke Harnish is quickly establishing himself as a nuanced performer of opera, oratorio, and recital repertoire. Upcoming engagements for Mr. Harnish include a Studio Artist residency with Sarasota Opera for their 2024 Winter Opera Festival. There, he covers Il Conte di Walter (Luisa Miller) and Zuniga (Carmen). Later in the year, Harnish returns to Santa Fe Opera as an Apprentice Artist to sing Messenger in La traviata and the roles of Deacon 2, Joe, and Representative in the World Premiere of Gregory Spears’ The Righteous. Recent role debuts include Schaunard in La bohème with Wichita Grand Opera and Dr. Bartolo in Il barbiere di Siviglia with Penn Square Opera. Prior to these engagements,
