Matheus França - Oh, chi piange? - Del futuro nel buio - Ópera Nabucco
Léirithe le Teacht Inniu Ar Aghaidh
Léirithe san am a chuaigh thart 2016 — Inné
Roméo et Juliette (Romeo and Juliet), Gounod
Opéra ComiqueComte Capulet (Count Capulet)
Féach ar an bhfoireann agus an fhoireann-
Die Zauberflöte (The Magic Flute), Mozart
Bühnen BernSarastro
Féach ar an bhfoireann agus an fhoireann-
Don Carlo (Italian version), Verdi
Oper KlosterneuburgIl Grande Inquisitore (The Grand Inquisitor)
Féach ar an bhfoireann agus an fhoireannL’Enfant et Les Sortilèges & Iolanta, RavelTchaikovsky, P. I.
Bühnen BernRené (Rene)
Féach ar an gclár, an fhoireann agus an fhoireannDie Walküre (The Valkyrie), Wagner, Richard
Bühnen BernHunding
Féach ar an bhfoireann agus an fhoireannRoméo et Juliette (Romeo and Juliet), Gounod
Opéra ComiqueComte Capulet (Count Capulet)
Féach ar an bhfoireann agus an fhoireann-
Die Zauberflöte (The Magic Flute), Mozart
Bühnen BernSarastro
Féach ar an bhfoireann agus an fhoireann-
Don Carlo (Italian version), Verdi
Oper KlosterneuburgIl Grande Inquisitore (The Grand Inquisitor)
Féach ar an bhfoireann agus an fhoireannL’Enfant et Les Sortilèges & Iolanta, RavelTchaikovsky, P. I.
Bühnen BernRené (Rene)
Féach ar an gclár, an fhoireann agus an fhoireannSiegfried, Wagner, Richard
Bühnen BernFafner
Féach ar an bhfoireann agus an fhoireannDie Zauberflöte (The Magic Flute), Mozart
New National Theatre TokyoSarastro
Féach ar an bhfoireann agus an fhoireannPorgy A Bess, Gershwin
Prague Radio Symphony OrchestraBass
Féach ar an bhfoireann agus an fhoireannDas Rheingold (The Rhinegold), Wagner, Richard
Stadttheater KlagenfurtFafner
Féach ar an bhfoireann agus an fhoireannDéa19:30
Klagenfurt, AustriaMatheus França, a Brazilian bass, received his musical education at the University of Brasília, standing out by completing his Bachelor's degree in Orchestral and Choral Conducting with excellence. During this period, he refined his studies in Classical Singing under the guidance of the renowned Professor Dr. Irene Bentley. Matheus' first foray into the world of operas took place at the university, participating in productions such as 'La Serva Padrona' by Giovanni Battista Pergolesi and 'Il Barbiere di Siviglia' by Gioacchino Rossini. This experience inspired his approach to concert-format titles, including 'Vesperae Solennes' by Wolfgang Amadeus Mozart, 'Choral Fantasia' by Ludwig Van Beethoven, 'Requiem' by Mozart, among other works. Throughout this period, he received encouragement an