Matheus França - Oh, chi piange? - Del futuro nel buio - Ópera Nabucco
Izrādes kredīti
Gaidāmās izrādes Šodien Uz priekšu
Iepriekšējās izrādes 2016 — vakar
Roméo et Juliette (Romeo and Juliet), Gounod
Opéra ComiqueComte Capulet (Count Capulet)
Skatīt dalībniekus un komandu-
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Don Carlo (Italian version), Verdi
Oper KlosterneuburgIl Grande Inquisitore (The Grand Inquisitor)
Skatīt dalībniekus un komanduL’Enfant et Les Sortilèges & Iolanta, RavelTchaikovsky, P. I.
Bühnen BernRené (Rene)
Skatīt programmu, dalībniekus un komanduPiedāvātās iepriekšējās izrādes
Roméo et Juliette (Romeo and Juliet), Gounod
Opéra ComiqueComte Capulet (Count Capulet)
Skatīt dalībniekus un komandu-
-
Don Carlo (Italian version), Verdi
Oper KlosterneuburgIl Grande Inquisitore (The Grand Inquisitor)
Skatīt dalībniekus un komandu
L’Enfant et Les Sortilèges & Iolanta, RavelTchaikovsky, P. I.
Bühnen BernRené (Rene)
Skatīt programmu, dalībniekus un komanduGaidāmās izrādes
20Siegfried, Wagner, Richard
Bühnen BernFafner
Skatīt dalībniekus un komanduDie Zauberflöte (The Magic Flute), Mozart
New National Theatre TokyoSarastro
Skatīt dalībniekus un komanduPorgy A Bess, Gershwin
Prague Radio Symphony OrchestraBass
Skatīt dalībniekus un komandu
Biogrāfija
Matheus França, a Brazilian bass, received his musical education at the University of Brasília, standing out by completing his Bachelor's degree in Orchestral and Choral Conducting with excellence. During this period, he refined his studies in Classical Singing under the guidance of the renowned Professor Dr. Irene Bentley. Matheus' first foray into the world of operas took place at the university, participating in productions such as 'La Serva Padrona' by Giovanni Battista Pergolesi and 'Il Barbiere di Siviglia' by Gioacchino Rossini. This experience inspired his approach to concert-format titles, including 'Vesperae Solennes' by Wolfgang Amadeus Mozart, 'Choral Fantasia' by Ludwig Van Beethoven, 'Requiem' by Mozart, among other works. Throughout this period, he received encouragement an
